October 16, 2019

Reading Uncertainly: ‘The Meaning of Human Existence’ by Edward O. Wilson

Who are we?

Edward O. Wilson, the eminent Harvard biologist and noted student of ants, describes our strange species in a remarkable and memorable book. In 15 brief, succinct and challenging chapters, each less than 10 pages, he suggests that, at once, we are far more and far less than we imagine.

His is a daunting title but the contents live up to expectations.

First, far less: homo sapiens have existed through a modest six millennia, a mere blip in the 13-plus billion years of our universe, the 4.5 billion years of this earth and the 400 million years of other “species on earth.” And this earth is but a “mote of stardust near the edge of our galaxy (an estimated hundred billion star systems make up the Milky Way galaxy) among a hundred billion or more galaxies in the universe.”

And even among the other species here on this planet, “how bizarre we are as a species … we are chemosensory idiots” when compared to most of them. “Our species is almost unconscious of most stimuli.”

But we are unusual.

We have the “capacity to imagine possible futures, and to plan and choose among them,” the “ability to invent and inwardly rehearse competing scenarios of future interactions.”

Dr. Wilson compares the “humanities” to “science.” The humanities tell us “what,” “the particularities of human nature back and forth in endless permutations, albeit laced with genius and in exquisite detail,” while science increasingly is needed to tell us “why.”

Are we trapped in our own egos?

In Chapter 11, The Collapse of Biodiversity, we seem to be knocking off many species, only to find more.  But “ … without nature,  finally, no people!” “The human impact on biodiversity, to put the matter as briefly as possible, is an attack on ourselves!” This re-confirms the famous Pogo adage, “We have met the enemy and he is us.”

Wilson suggests we remember the acronym HIPPO: Habitat loss; Invasive species; Pollution: Population growth; and Overharvesting. These may be the most important challenges our species face.

Has the human creation of religions helped? Wilson is dubious.

Religion’s “history is as old or nearly so as that of humanity itself. The attempted resolution of its mysteries lies at the heart of philosophy.” But “the great religions are also, and tragically, sources of ceaseless and unnecessary suffering.”

He adds: “the true cause of hatred and violence is faith versus faith, an outward expression of the ancient instinct of tribalism. Faith is the one thing that makes otherwise good people do bad things.” Many will find this offensive but it is a considered opinion, backed up with solid examples. Wilson summarizes thus, “the best way to live in this real world is to free ourselves of demons and tribal gods!”

He returns to the balance of science and the humanities; the latter describe “the human condition,” while science “encompasses the meaning of human existence.”  We are “an accident of evolution,” from herbivore to carnivore, from wanderer to static, from small families to multiple “tribes.” And “when an individual is cooperative and altruistic, this reduces his advantage in competition to a comparable degree with other members, but increases the survival and reproduction rate of the group as a whole.” No wonder we have conflicting views of how to respond …

Dr. Wilson’s conclusion: “Are human beings intrinsically good but corrupted by the forces of evil, or the reverse, innately sinful yet redeemable by the forces of good? Are we built to pledge our lives to a group, even to the risk of death, or the opposite, built to place ourselves and our families above all else? Scientific evidence, a good part of it accumulated during the past twenty years, suggests that we are both of these things simultaneously. Each of us in inherently conflicted.”

“If the heuristic and analytical power of science can be joined with the introspective creativity of the humanities, human instinct will rise to an infinitely more productive and interesting meaning.”

After each chapter, I had to stop and reflect on Wilson’s ideas, taking many notes.

And I plan to re-read it in its entirety next year.

Editor’s Note: ‘The Meaning of Human Existence’ by  Edward O. Wilson, was published by W. W. Norton  & Co., New York, 2014.

Felix Kloman

About the Author: Felix Kloman is a sailor, rower, husband, father, grandfather, retired management consultant and, above all, a curious reader and writer. He’s explored how we as human beings and organizations respond to ever-present uncertainty in two books, ‘Mumpsimus Revisited’ (2005) and ‘The Fantods of Risk’ (2008). A 20-year resident of Lyme, he now writes book reviews, mostly of non-fiction, which explores our minds, our behavior, our politics and our history. But he does throw in a novel here and there. For more than 50 years, he’s put together the 17 syllables that comprise haiku, the traditional Japanese poetry, and now serves as the self-appointed “poet laureate” of Ashlawn Farm Coffee, where he may be seen on Friday mornings. His late wife, Ann, was also a writer, but of mystery novels, all of which begin in a village in midcoast Maine, strangely reminiscent of the town she and her husband visited every summer.

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Enjoy ‘Cruise Blues & Brews’ Festival Today in Chester

Jake Kulak (center) and the Lowdown (Jason LaPierre at left and Jeremy Peck at right) will be performing at the ‘Cruise Blues & Brews’ Festival at Chester Fairgrounds, Sept. 21. The band recently won the $10,000 grand prize in Foxwood’s ‘Battle of the Bands.’

CHESTER — The blues-rock power trio, Jake Kulak and the LowDown just won the “Battle of the Bands” $10,000 grand prize, sponsored by the Foxwood Resort Casino. The band has been wowing audiences all over the state. They have also won the CT Blues Society Band Challenge, they were voted Best Blues Band in the CTNOW’s Best of Hartford Reader’s Poll and they were nominated as Best New Act of the Year at the New England Music Awards.

Jake Kulak and the LowDown will be one of the seven top CT Blues Bands performing at the 5th Annual Cruise Blues & Brews Festival, Sept. 21, at the Chester Fairgrounds. Other bands that will be appearing include: Ninety Nine Degrees, Clayton Allen Blues Band, Ramblin’ Dan and the Other Cats, Cobalt Rhythm Kings, Blues on the Rocks, and Vitamin B-3.

Ramblin’ Dan Stevens is another of the featured blues musicians at the ‘Cruise, Blues & Brews ‘Festival on Saturday, Sept. 21, at Chester Fairgrounds.

The Cruise Blues & Brews Festival will also feature hundreds of antique and unique cars on display, a food court with a variety of food trucks, locally brewed craft beer on tap, a marketplace of vendors, a kid’s play area full of activities, trophies, games and prizes.

All proceeds from Cruise Blues & Brews Festival support the At-Risk Boys Fund at the Community Foundation of Middlesex County. Established in 2013, The At-Risk Boys fund has awarded over $80,000 in grants to organizations throughout Middlesex County. These grants have helped hundreds of boys and young men achieve success and a better life.

The 5th Annual Cruise Blues & Brews Festival will be held Saturday, Sept. 21, from 10 a.m. to 5 p.m. (rain or shine), at the Chester Fair Grounds.  Admission is a $10 suggested donation, and kids are free. Tickets can be purchased at the gate during the Festival.

To learn more about this fun-filled festival, visit www.cruisebluesandbrews.com

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See America’s Favorite Comedy Whodunnit ‘Shear Madness’ at Ivoryton Playhouse Through Oct. 6

Patrick Noonan (left) and Jordan Ahnquist play the lead male characters in ‘Shear Madness’ opening at the Ivoryton Playhouse, Sept. 18. Photo courtesy of Shear Madness.

IVORYTON – Shear Madness, one of the most popular comedy productions in the world, is opening in Ivoryton on Sept. 18. This iconic production was first produced in Boston in 1980 and has been delighting audiences ever since with its unique blend of madcap improvisation and spine-tickling mystery.

This unique comedy-whodunit takes place today in the Shear Madness hairstyling salon and is chock full of up-to-the-minute spontaneous humor. During the course of the action, a murder is committed and the audience gets to spot the clues, question the suspects, and solve the funniest mystery in the annals of crime. The outcome is never the same, which is why many audience members return again and again to the scene of the mayhem.

Voted “Best Comedy of the Year” seven times by the Boston Globe and recipient of the title “Best Play of the Year” by both the Chicago Sun-Times and the Philadelphia Enquirer, Shear Madness has also received the Raven Award from the Mystery Writers of America and has been inducted into the Comedy Hall of Fame, the first play ever to receive that accolade.

Shear Madness is listed in the Guinness Book of World Records as the longest-running play in the history of the USA. The flagship Boston company has given birth to 50 productions in the U.S. and Shear Madness has been translated into 23 foreign languages, playing worldwide in a host of cities including Barcelona, Buenos Aires, Madrid, Paris, Rejkavik, Rome, Tel Aviv, Melbourne, Johannesburg and Seoul. Over 12.5 million people worldwide have joined in the fun.

The production features veteran performers Jordan Ahnquist*, Patrick Noonan*, and Lisa McMillan* who have performed these roles many times – most recently in the off-Broadway production. They will be joined by Ivoryton Playhouse alum Bill Mootus* and Siobhan Fitzgerald* and Lev Harvey will be making his Playhouse debut.

The production is directed by Robert Lohrmann with set design by Daniel Nischan, lighting design by Marcus Abbott and costume design by Liz Saylor.

Shear Madness opens at the Ivoryton Playhouse on Sept. 18  and runs through Oct. 6. Performance times are Wednesday and Sunday matinees at 2 p.m. Evening performances are Wednesday and Thursday at 7:30 p.m, Friday and Saturday at 8 p.m.

Tickets are $55 for adults; $50 for seniors; $25 for students and $20 for children and are available by calling the Playhouse box office at 860-767-7318 or by visiting our website at www.ivorytonplayhouse.org 

 (Group rates are available by calling the box office for information. Discounted tickets after 6pm on Thursday evenings – get half price adult ticket (subject to availability). Six-Tix are only available at the Playhouse Box Office window and do not apply to special events.  Limit 4 Six Tix per person.) The Playhouse is located at 103 Main Street in Ivoryton.

*denotes member of Actors Equity

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Essex Business Launches New Product Line Bursting with Bubbles; Includes Jewelry Cleaner, Shower Aromatherapy, Calcium Supplement

The full range of FizzBenefitz products shown in this photo includes a jewelry cleaner and shower aromatherapy.

ESSEX — Centerbrook-based manufacturer Tower Laboratories Ltd., has launched a diverse line of effervescent health and personal care products. The line, called FizzBenefitz, includes

  • Shine Better Jewelry Cleaner
  • Shower Better Aromatherapy
  • Well Better Vitamin C and Calcium Supplements
  • Hydrate Better Kids Hydration

Tower Laboratories has been in the business of effervescent product manufacturing for almost 40 years. The company produces denture cleaners, antacids and other over-the-counter tablets under various store brands. With FizzBenefitz, Tower Laboratories is hoping to develop its own brand recognition.

“We are excited to launch our own unique line of effervescent products and we think consumers will find a lot to like about FizzBenefitz,” said Matt Needleman of Tower Laboratories. “Effervescence gives people a multi-sensory experience that you don’t find in other types of products. For our health supplements, it has the added benefit of eliminating the stress of taking pills. Our products are always made with convenience for the consumer in mind.”

The full FizzBenefitz line is available for purchase online at fizzbenefitz.shop

Editor’s Note: Tower Laboratories, Ltd. is a privately held company founded in 1979 and the country’s leading supplier of store brand effervescent products. Tower Laboratories, Ltd. also produces a number of effervescent products for contract customers consisting of prescription and over the counter (OTC) drugs, dietary supplements, medical devices, personal care products and specialty applications. The company is headquartered in Centerbrook, CT, with manufacturing facilities in Clinton, CT and Montague, MI.

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Death of Suzanne Brown Announced; Memorial Service to be Held in Old Lyme, Aug. 25

Suzanne Brown

ESSEX — Suzanne “Suzie” Brown, our mother, grandmother, great-grandmother, and friend, passed away Aug. 5, 2019, from complications after a fall in her home. She joins her beloved husband, Templeton “Temp” Brown of 58 years. We will celebrate them both by living their example of truth, love, and commitment.

Suzie celebrated beauty in life by picnicking in the countryside, arranging flowers from her garden, traveling the world, and savoring languages, cuisine, literature, colors, and the natural world. She cherished her family. We all have cultivated deep artistic roots because she showed us how to appreciate beauty in everything around us, every day of her life.

Suzie lived in Winnetka, Ill. for over three decades, and then returned to her childhood state of Connecticut to begin a new adventure with our dad, Temp, in Lyme. She had a wonderful group of friends, old and new, first from her many years in Illinois, and then more recently centered in Lyme and at the Essex Meadows Senior Retirement Community, in Essex. Suzie loved and appreciated the connections she made in Essex Meadows with her neighbors, staff, care-team, and her dear friend, Len Lonnegren.

Suzie will be remembered forever by her family, daughter Lisa Brown and her husband Mark Lellman; grandson Matt Lellman; and granddaughters, Leah Lellman (husband Josh Hisley) and Heidi Lellman (husband Jake Bonnerup); and great-grandson, Theo Bonnerup; daughter Suzanne Butz and her husband Ted Butz; grandsons Teddy Butz and Robert Butz (wife Jen Butz); and great-granddaughter, Hayden Butz; and daughter Maren Brown and her wife Patricia Morrison.

A Memorial Service will be held at 2 p.m. Sunday, Aug. 25, at the First Congregational Church of Old Lyme.

In lieu of flowers, memorial gifts can be made to the Lyme Land Trust, which was dear to both mom and dad’s deep appreciation of preserving nature for future generations to enjoy.

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‘Cabaret’ Opens at Ivoryton Playhouse, Runs Through Sept. 1

Katie mack stars in ‘cabaret’ at the Ivoryton Playhouse as Sally Bowles.

IVORYTON – “There was a cabaret and there was a master of ceremonies and there was a city called Berlin in a country called Germany. It was the end of the world … and I was dancing with Sally Bowles and we were both fast asleep.” So begins the international classic musical and winner of eight Tony awards –  Cabaretwhich opened last night in Ivoryton to rave reviews. The show runs through Sept. 1.

Join other members of the audience at the Kit Kat Club as the Emcee takes us back to those tumultuous times with unforgettable musical numbers including,  “Wilkommen,” “Cabaret,” and “Maybe This Time.”

This Broadway classic is set in 1931 Berlin as the Nazis are rising to power. Cabaret focuses on the nightlife at the seedy Kit Kat Klub, and revolves around American writer Cliff Bradshaw and his relationship with English cabaret performer, Sally Bowles, as the world spins out of control.

The original 1966 Broadway production became an instant hit, winning eight Tony Awards in 1967 and four in 1998.  The show has inspired numerous subsequent productions in London and New York, as well as the 1972 film of the same name.

Cabaret is an unusual musical that has changed many times over the past 50 years to reflect the changes in the world, but the musical’s implicit warning about the temptations of fascism, nationalism and prejudice — the way they can sneak up on you when you’re having fun — has never seemed dated or irrelevant.

“It’s such an important piece of theatre, in what it says about the world and how quickly things can change,” says Playhouse Artistic Director, Jacqui Hubbard. “I think it is even more relevant today than when it was first performed over 50 years ago. Underneath the humor, the sex and the fabulous music is a constant alarm sounding, telling us to pay attention.”

Sam Given takes the lead male role in ‘Cabaret.’

The production stars Sam Given* as the Master of Ceremonies. Sam has appeared in Ivoryton in Godspell, A Chorus Line, I Hate Musicals: The Musical and in his own one-person show with his alter ego, Millie Grams. He has recently been seen as Ziggy Stardust inRebel Rebel: The Many Lives of David Bowie. 

Katie Mack* as Sally Bowles and Andy Tighe* as Cliff will be making their Ivoryton debuts. The cast also includes Will Clark, Carlyn Connolly*, Corrie Farbstein, Taavon Gamble*, Jade Genga, Aliah James, John Little*, Amanda Luppachino, Amani Pope, Carolyn Popp*, Renee Sutherland, Emerson Valentina, Max Weinstein and Jayke Workman. 

The production is directed and choreographed by Todd Underwood and musical directed by Michael Morris with set design by Daniel Nischan, lighting design by Marcus Abbott and costume design by Katie Bunce.

Performance times are Wednesday and Sunday matinees at 2 p.m. Evening performances are Wednesday and Thursday at 7:30 p.m., Friday and Saturday at 8 p.m.

Additional matinee performances are on Saturday, Aug. 17, and Aug. 31, at 2 p.m.

Tickets are $55 for adults; $50 for seniors; $25 for students and $20 for children and are available by calling the Playhouse box office at 860-767-7318 or by visiting our website at www.ivorytonplayhouse.org 

(Group rates are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.

Pictures courtesy of Ivoryton Playhouse

*denotes member of Actors Equity

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High Hopes Appoints New Board Chair, Trustees

Newly-appointed High Hopes Board Chair Jacqueline Kangley of Hadlyme leads a rider on the organization’s grounds. Photo credit: Michael Fanelli .

OLD LYME — High Hopes Therapeutic Riding, Inc. has appointed Jacqueline Kangley of Hadlyme as its new chair of the board of trustees for a two-year term.

Kangley was introduced to therapeutic riding by her Essex Elementary School classmates and has been a volunteer at High Hopes since 2004. She has been a Trustee since 2015 and currently volunteers in the therapeutic riding program and serves on the Program, Marketing Advisory, Event, and Development Committees.

She has co-chaired the ‘Concert in the Barn’ and served on many Auction, Décor, and other Benefit Committees. She is a past recipient of the Sally H. Aubrey Award, and the 2018 Path Intl. Region 1 Volunteer of the Year for her outstanding contribution to High Hopes.

“High Hopes is a unique, vibrant community with an important mission. For over 15 years, I’ve watched participants, instructors, volunteers, and horses work together to improve each others’ lives in very measurable ways. I am grateful to be a part of the High Hopes team and value this opportunity to help guide the organization,” said Kangley of her appointment.

As her first order of business Kangley thanked John Catlett as well as outgoing trustees Seymour Smith and Katherine Gibson. Catlett is stepping down as Chair but will continue as a trustee at the Old Lyme non-profit. Kangley said, “Under John’s leadership, High Hopes has ushered in its 45th year with a strong respect for its past and a clear vision for the future. He has overseen the launch of the ‘Share Hope’ Endowment Campaign, the implementation of a new strategic plan, and encouraged an active, engaged board.”

Kangley concluded, “John, Seymour, and Katherine exemplify the dedication and commitment of the over 650 volunteers who help keep High Hopes running. Thank you for all they have done to support High Hopes’ mission.”

Handing over the gravel, Catlett commented: “Jackie is an outstanding choice to lead High Hopes as it begins to implement its latest Strategic Plan and transitions to the public phase of its endowment campaign. Jackie’s long involvement with the organization gives her a deep understanding of High Hopes and positions her well to take on this important role. I’m sure she will help lead the organization to an even stronger position to help impact the lives of those who depend so much on High Hopes.

Two new trustees were also welcomed to the Board, Sarah Kitchings Keenan and Margaret (Mac) Mummert. Each will serve for a three-year term.

Sarah and her husband Christopher reside in Essex with their three children, Ryan, Maggie, and Ashley. Her son, Ryan, has been an active High Hopes participant for five years; both of her daughters have attended the High Hopes Unified Summer Camp. Sarah has served as a member of the High Hopes Development Committee and is currently Treasurer of the Essex Elementary School Foundation.

Mac Mummert of Lyme.

Lyme resident Mac Mummert and her husband, Earl, are veterinarians and have owned four small animal practices. Her special interests include internal medicine and oncology. She has served in many local civic organizations including the Lyme Garden Club, the Child and Family Agency and is a Past President of the SE Connecticut Professional Women’s Network.

Mummert has also served on the vestry of St. Ann’s Episcopal Church and was District Commissioner of the Connecticut Valley Pony Club. Mac has two children, Brian and Anya. Anya has been a participant at High Hopes since she was five and now works as a volunteer twice weekly.

High Hopes Therapeutic Riding, Inc. is a 501(c)3 non-profit based in Old Lyme, CT. Established in 1974, High Hopes serves over 1500 people each year with a unique range of therapeutic riding, carriage driving, and equine earning programs. Ninety-six percent of the organization’s workforce are volunteers who find their own lives enriched by our training, and the power of the horse-human interaction.

Participants include children, teens, adults, and seniors. Horses can build physical strength, emotional resilience, and cognitive development. Families in crisis learn how to trust; veterans deal with PTSD; teens at risk of substance abuse learn self-respect and children in wheelchairs feel the freedom of movement.

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Mamma Mia! Opens at Ivoryton Playhouse, Runs Through July 28

Mamma Mia! cast members (from left to right) Cooper Grodin, Dane Agostinis, Stephanie Gomerez and Billy Clark Taylor rehearse a scene from the show now playing at the Ivoryton Playhouse.

IVORYTON – The Ivoryton Playhouse has been transformed from an historic New England theatre to a Mediterranean island, filled with the music universally loved for over 40 years!

Over 60 million people worldwide have fallen in love with the characters, the story and the music that make Mamma Mia! the ultimate feel-good show.  Set on a Greek island paradise, the story-telling magic of ABBA’s timeless songs propels this enchanting tale of love, laughter and friendship, creating an unforgettable show.

On the eve of her wedding, Sophie reads her mom’s diary, only to discover that the father she has never met, could be one of three men. The wedding invitation brings Sophie’s three dads to the Greek Isles in search of the life that could have been with Sophie’s mother, Donna.

The show is filled with laughter, heart and 22 hit songs including “Super Trouper”, “Lay All Your Love on Me”, “Dancing Queen”, “Knowing Me, Knowing You”, “Take a Chance on Me”, “Thank You for the Music”, “Money, Money, Money”, “The Winner Takes It All”, “Voulez-Vous”, “SOS” and the title track.

The three leading ladies of Mamma Mia!, from left to right, Carly Callahan, Laiona Michelle and Jessie Alagna sing a number in the show now playing at the Ivoryton Playhouse.

As of 2018, the show has productions in London’s West End, where it is the seventh longest-running show in West End history, as well as various international productions. Its Broadway incarnation closed in September 2015 after a 14-year run, making it the ninth longest-running show in Broadway history.

Get swept away by the infectious music, uplifting story, and dazzling dance numbers that have made Mamma Mia! a worldwide phenomenon.

The production stars Laiona Michelle* as Donna. Laiona was seen on Broadway as Nanna in Amazing Grace and in The First National Tour of The Book of Mormon.  Most recently she starred as the legendary jazz icon in the world premiere of Little Girl Blue – The Nina Simone Musical.  Joining her as her best buddies and the other two members of the band are Jessie Alagna* as Rosie and Carly Callahan as Tanya.

Callahan was last seen here in The Fantasticks and The Ivoryton Playhouse ChristmasHour. This is Alagna’s debut in Ivoryton.

Cooper Grodin*, Dane Agostinis* and Billy Clark Taylor* take on the roles of the dads and Stephanie Gomerez and Jack Kay play the young lovers, Sophie and Sky.

Evan Benjamin, Kelley Davies, Nico DiPrimio, Mark Gilchrist, Nicholas Gonzalez, Nigel Hall, Aliah James, Amanda Lupacchino, Melissa McLean, Ana Yi Puig, Carolina Santos Read*, Nathan Russo, Cameron Khalil Stokes, and Audrey Wilson complete this talented and energetic cast.

The production is directed and choreographed by J.R. Bruno and musical directed by David Madore with set design by Glenn Bassett, lighting design by Marcus Abbott and costume design by Elizabeth Saylor.

Mamma Mia runs through July 28. Performance times are Wednesday and Sunday matinees at 2 p.m. Evening performances are Wednesday and Thursday at 7:30 p.m, Friday and Saturday at 8 p.m.

Additional matinee performances are on Saturday, July 6, and July 20, at 2 p.m.

Tickets are $55 for adults; $50 for seniors; $25 for students and $20 for children and are available by calling the Playhouse box office at 860-767-7318 or by visiting our website at www.ivorytonplayhouse.org 

 (Group rates are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.

*denotes member of Actors Equity

Photographer: Jonathan Steele

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Letter From Paris: Seeing “Red” at the Grand Palais

Nicole Prévost Logan

The year 1917 in Russia marked a unique moment of history when art and  revolution fused together into a mutual source of inspiration. The creativity and energy fed on each other for a short few years, to eventually vanish under the brutal repression and purges of Stalin to become an official and bland art form called “Socialist Realism.”

The exhibit “Red – Art and Utopia in the Soviet Country” at the Grand Palais, Paris, in the spring of 2019 is breaking new ground in describing that unique moment.

All forms of arts were impacted by the October Revolution, from the visual arts to architecture, theater, cinema, music and, of course, literature.  In addition to major artists, already well known before World War I, such as Malevich, the Bolchevik government did welcome all talented artists eager to experiment with new art forms.

Mayakovsky (1893-1930) was the voice of the Revolution – a giant with a booming voice, who galvanized the crowds when he read his poetry.  His emblematic play, the “Bedbug,” is a satire of the NEP (New Economic Policy.)  A young man of that period is frozen and found himself  in a perfect communist world 50 years later where there was no drunkenness nor swearing. 

He decided he was not made for the future.  As a journalist, Mayakovsky used  simple street  language.  A gifted artist, he drew satirical cartoons, making fun of the “petty bourgeoisie.” One of the main metro stations in central Moscow was named after him. He shot himself in 1930 at the age of 37.

Malevich (1878-1935), a major artist of the 20th century, was inspired until 1914, by Gauguin, Matisse and Cezanne, and then moved to abstraction and geometric forms until he reached his extreme “White on White” in 1918.  He was the theoretician of art par excellence. 

His book “From Cubism to Suprematism in Art …” is considered one of the most important reference works of the 20th century. Toward the end of his life he was  forced to reintroduce figurative characters into his paintings.  He never left the Soviet Union where he died of cancer in 1935.

Tatlin (1885-1953) was associated with the concept of “constructivism,” based on the use of materials, the exploitation of movement and tension in matter.  He aimed at the harmonization of artistic form with utilitarian goals.

Artists’ association multiplied at that time.  AKhRR  (Association of Russian Artists of Revolutionary Russia) was founded in 1922.  Vkhutemas (higher Institutes of art and technique) were created as early as 1920 all over the country.  Both Malevich and Tatlin occupied important positions in those institutions .

Vsevolod Mayerhold, (1874-1940) following in the footsteps of Stanislavsky (master of the stage in the 19th century – particularly Chekhov plays), revolutionized theatrical techniques, suppressed settings and replaced them by “constructivist” space, trained the actors according to a new system of “bio-mechanic” and how to form human pyramids. His stage production of Mayakovsky’s  “Bed Bug” is emblematic of the Soviet era.

Rodchenko  (1891-1956) was the leading innovator of the 1917 revolution-inspired  art.  He wanted to bring art down from its pedestal.  He stood against estheticism and “art for art” and made art the champion of productivity. He created a new artistic language by experimenting with photography, using photo-montage, double exposures, and unexpected angles. He gloried the machine in a factory or objects of daily life rather than still life motives in traditional art.

Among this group of brilliant artists were two women – Lioubov Popova, (1889-1924), who died of scarlet fever, and  Varvara Stepanova (1894-1958i), Rodchenko’s wife.

A poster by Gustav Klutsis.

Posters became a new art form used as the most important tool of propaganda. They were intended to make a strong and immediate impact on the viewer.  Using a graphic art medium with calligraphy and geometric designs, they carried a simple message.  The color red was used extensively  (it is interesting to note that, in Russian, “red” and “beautiful” are the same word.)

Oversize paintings like “Bolchevik” by Kustodiev are easy to understand.  A giant man walks through dwarfed  city landscape with churches, holding a huge red banner.  The messages of the October revolution were spread throughout the country in the “agit-prop trains”  to educate the masses.  Some figures are impressive: in 1917 the literacy of the population  was 25 percent whereas by 1939, it had risen to 81 percent.

Gustav Klutsis (1895-1935), born in Latvia, was also one of the best at using photo-montage and posters . He wrote: “Put color, slogan at the service of class war.”  Klutsis was arrested and shot in 1938.

Sergei Eisenstein  (1898-1948) – a pioneer of the cinema – created his own style characterized by melodramatic acting, close-up shots and theatrical editing.  A sequence of “Battlefield Potemkin” has become an absolute classic: during an attack by the Cossacks against Odessa civilians, a baby carriage falls all the way down the long steps.

Eisenstein ‘s mob scenes are so realistic (such as the storming of the Winter Palace in St Petersburg) that they are often mistaken for newsreels in documentaries.

Architecture played a crucial role in bringing about utopia of the proletariat.  Plans for grand buildings, squares and majestic avenues are intended to impress the masses, who are more important than the individuals.  Still standing today is the workers’ club Roussatov designed by Melnikov.

Roussakov Workers’ Club designed by Melnikov, 1927-28.

After the death of Lenin in 1924, power became concentrated in the hands of Stalin, who tightened his control over artists.  In 1932  all artistic associations were suppressed — artists were forced to join the official Union.

The creative, innovative productions had to bend and conform to rules of the new doctrine of Socialist Realism formulated by Andrei Zhdanov in a speech to the Writer’s Union in 1934.  In art,  it can be defined as representation of the bright future of communism through the representation of idealized  workers in healthy bodies.

Therefore, at the 1937 Universal Fair held in Paris, a double statue of a vigorous factory worker and a strong woman kolkhoz farmer stood on top of the Soviet building.

Most representative of this period was Alexander Deïneka, who painted naked, young factory workers taking a break on the beach in the Donbass or Lenin riding in an open sports car through bucolic countryside with several blonde children.

Somehow out of place in 1937 is a delightful painting by Yuri Pimenov called, “The New Moscow.”  A young woman is driving a convertible car on one of the main thoroughfares of central Moscow.  The style is very much in the Impressionist style.

Already in the 1990s, the Tretiakov Gallery of Moscow held exhibits on the 1920s and 1930s Soviet art.  At that time, the Soviet posters were readily available in the book stores of the Arbat pedestrian street.  

Although a large part of the exhibited works included in the “Red” exhibit come from the permanent collection of the Centre Pompidou, Paris, it is interesting to note that in the 1979 Paris-Moscow exhibit organized by that same museum, Soviet art was barely mentioned.

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

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Essex Rotary Hosts 61st Annual Shad Bake This Afternoon

Planking the shad to cook in front of the fire in the same manner in which it has been done for hundreds of years.

ESSEX — One of our State’s great culinary customs returns to the Connecticut River Museum tomorrow from 3 to 6 p.m. with the 2019 Essex Annual Shad Bake.  For 61 years, the Rotary Club of Essex has been proudly holding this annual rite of spring, nailing delicious American shad onto oak planks and roasting them around a large bonfire.  Share this wonderful Connecticut tradition with your family and friends.

This year’s Bake is made possible through the generous support of AJ Shea Construction, Guilford Savings Bank, and The JECM Foundation. Additional support comes from Clark Group/Middle Cove Marina, Essex Savings Bank/Essex Financial Services, Tower Laboratories, and many other sponsors.

Bill Hoffstetler demonstrates the fine art of removing bones from shad; a fish referred to by local Native Americans as the “inside out porcupine”.

The Museum’s interim executive director, Thomas Wilcox said “We are pleased to host and partner with the Rotary Club of Essex on this iconic event that celebrates part of the Connecticut River’s heritage and supports the many worthwhile projects of Rotary and Museum.” This volunteer-run event has been organized by the Rotary Club of Essex and is coordinated by Bake Master Joseph Shea. Shea stated that “We offer one of the most unique culinary traditions in New England at one of the most majestic and historic locations. It is a winning combination!” 

In addition to the delicious food, a variety of activities take place throughout the afternoon. For shad lovers, the lure is the secret ingredients and the authentic method of preparing and baking the fish which has been handed down through generations of Connecticut natives.  Nailed onto oak planks with salt pork and placed in front of the bonfire, the fish picks up the smoky flavor of the fire and the seasoned oak boards on which it is baked. Add to this delicacy homemade potato salad, tossed green salad, and pie from Lyman Orchards and your shad experience is complete.

Baking the shad.

Don’t care for shad?  Grilled chicken is also available!  In addition to the food, participants will be able to enjoy live music and touring the Museum, which will be open until 6 pm.  The vibrant atmosphere is enhanced with picnickers and the delicious smell of shad baking around the open fire.  

The $35 adult (Shad or Chicken dinner option) and $10 child (10 and under) ticket includes the full meal including one water or soda (child ticket includes a hot dog and salads) and admission to the Museum.  Tickets, if available, will be $40 on the day of the event. Beer, wine and soda will be available for purchase with a valid ID.  Freshly shucked clams and oysters will also be available at an additional price beginning at 3 p.m. No carry-in alcohol will be permitted.

Bill Hoffstetler demonstrates the fine art of removing bones
from shad; a fish referred to by local Native Americans as the “inside out porcupine”.

To purchase tickets, visit shop.ctrivermuseum.org or buy them in person at the Centerbrook Package Store, Essex Hardware, or the Connecticut River Museum.  There will be no parking on the Museum grounds and on-street parking is very limited.  On the day of the event, a free shuttle will be running between the Museum and the Essex Town Hall parking lot. 

The Connecticut River Museum is located on the Essex waterfront at 67 Main Street and is open 10 a.m. to 5 p.m., closed Mondays until after Memorial Day. The Museum, located in the historic Steamboat Dock building, offers exhibits and programs about the history and environment of the Connecticut River. For a full listing of Museum programs and events, visit www.ctrivermuseum.org or call 860-767-8269.

The Rotary Club of Essex is the local chapter of Rotary International whose membership is made up of service minded professionals.  The club and its members are committed to improving the community, connecting with other professionals, sharing their time and experience with the young, supporting global causes, and using their skills to help others.  For more information about the Shad Bake and Rotary Club visit http://www.rotaryclubofessex.com.

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Gainor Davis Appointed to Lead Connecticut River Museum in Essex, Starting July 1

Gainor B. Davis, New Executive Director at the Connecticut River Museum in Essex, Conn.

The Connecticut River Museum, on the waterfront in Essex, Conn., has announced the selection of Gainor Davis as the new Executive Director. Chosen after a nationwide search, Ms. Davis will assume the duties of Executive Director on July 10, 2019.

Davis currently serves as the Executive Director of the Historical Society of Carroll County in Westminster, Md., a museum which she has led since January 2015. She is an experienced museum executive, having previously led several important institutions, including serving as the President/CEO of the Western Reserve Historical Society in Cleveland, Ohio, for six years; as President/CEO of the York (Pa.) County Heritage Trust; as Director of the Vermont Historical Society in Montpelier and Barre, Vt.; and as Executive Director of Longue Vue House & Gardens in New Orleans, La.

Davis has established a reputation of achieving financial stability for her institutions, along with overseeing up-to-date, audience-oriented, relevant programming that has attracted new audiences. Her accomplishments include overseeing the creation of three new hands-on spaces at three different museums – experience that uniquely qualifies her to create and open the Connecticut River Museum’s planned new River Discovery Center on its campus.

Davis brings a strong background in fundraising and marketing, and she has led two successful multi-million-dollar capital campaigns. Prior to her museum-director positions, her fundraising career included posts at Temple University in Philadelphia as Director of Development & Alumni Affairs for the College of Arts and Sciences; at the University of Pennsylvania in Philadelphia as Associate Director of Corporate & Foundation Relations; at the Strong Museum in Rochester, N.Y., as Deputy Director for Public Affairs, and at the Historical Society of Pennsylvania in Philadelphia as Director of Development and then as Associate Director of Administration.

Davis holds a Ph.D. in American History from Temple University in Philadelphia, an M.A. in American History and Certificate in Museum Studies from the University of Delaware, Newark, Del., and an A.B. in History from Smith College in Northampton, Mass. She has also published and lectured widely.

She stated, “I am very excited about the role that the museum can play in serving both the Essex-area community and the larger Connecticut River region north of the museum, extending into Massachusetts, Vermont and New Hampshire. I look forward to partnering with local and regional organizations to serve new communities. I am delighted to move back to New England and to the Essex region, where I have many ties, and to become part of the community” Davis added, “It is an honor to be invited to join the capable staff at the CRM and to work with such a committed Board.”

Peter Coombs, who chaired the Search Committee as well as chairing the museum’s board, said, “Gainor Davis was selected after a rigorous national search, with a unanimous decision of the Search Committee and the unanimous approval of the Board. We were impressed with Gainor’s accomplishments over a distinguished career as a history-museum director and advancement professional.”

Davis will take the reins from Interim Director Tom Wilcox, who is leading the museum through the transition period. Previous director Christopher Dobbs announced last August that he had accepted an offer to lead the larger Museum of the Rockies in Bozeman, Mont., triggering the nationwide search.

The Search Committee was chaired by Board Chair Peter Coombs and co-chaired by Alison Brinkman. It included board and community members Tom Klin, Joanne Masin, Brenda Milkofsky and Tom Wilcox. For the national search, the Connecticut River Museum retained Marilyn Hoffman and Scott Stevens of Museum Search & Reference, an executive-search firm located in Manchester, NH and Boston that specializes in placing museum leaders.

Founded in 1974, the Connecticut River Museum has developed as a place where anyone interested in topics about the River can come and be inspired through exhibitions and collections, a library, educational opportunities and public programs. The mission is to lead in the study, preservation and celebration of the cultural and natural heritage of the Connecticut River and its valley.

Since 1986, it has been accredited by the American Alliance of Museums, a mark of distinction in the field. The Connecticut River Museum’s campus includes the preserved 1878 Essex Steamboat Dock and Warehouse, which was saved from demolition, the Hayden Chandlery, which now serves as the Thomas A. Stevens Library, and the historic 1732 Samuel Lay House.

Education is central to the museum’s mission, and public programs include workshops for school-age children, adult lectures, and on-water excursions aboard the recreation of Adriaen Block’s Onrust and RiverQuest as part of its popular eagle watches. Annually, the museum serves more than 20,000 general visitors, delivers programing to 4,000 school children, and provides scholarship support to a further 1,000 underserved school children and summer campers.

The museum is located on the Essex waterfront at 67 Main Street and is a membership-supported educational organization. Membership is open to all.

For more information regarding the Museum, call 860-767-8269 or see www.ctrivermuseum.org.

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Letter From Paris: As Notre Dame Burns, the World Mourns

Nicole Prévost Logan

On April 15, the world watched in shocked awe as the 850-year-old Notre Dame cathedral went up in flames.  The emotion was immediate, intense and spread around the globe.  Crowds of stunned people, who gathered on the banks of the Seine, many in tears, some singing religious hymns, gasped when the flèche (spire), consumed by the blaze, finally collapsed.

The French president decided to postpone an important public address.

Heads of state reacted to the fire in the same manner as if it were a major event in world affairs.

Michael Kimmelman wrote in the New York Times that France, “… Weeps for a Symbol of Paris’s Enduring Identity.

Notre Dame Cathedral in Paris was consumed by flames, April 15.

Why is this venerable monument so loved?  It is for a combination of reasons.  Situated on a strategic location on the Ile de la Cité, it is more than a place of cult but a symbol of a civilization.  A Gallo-Roman basilica or temple stood there in the 4th century when Paris was still Lutetia,  then a Merovingian palace was built by Clovis in the 5th century, which was followed by a Christian church in the 10th century.  The construction of the existing cathedral started in 1132 and was not completely finished until 1345.

Napoleon chose it for his self-coronation. as depicted by Jacques Louis David. in 1807. It was to Notre Dame that Charles de Gaulle went first, after marching down the Champs Elysées, in August 1944. During the funeral of François Mitterand, German chancellor Helmut Kohl could be seen with tears in his eyes.

“There was a great and furious flame rising between the two towers, with whirlwinds of sparks” wrote Victor Hugo in 1832. At that time, Notre Dame   was falling into disrepair and Victor Hugo accomplished the best ever exercise of “com” by writing the novel, “Notre Dame de Paris” (translated into English the following year as “The Hunchback of Notre Dame”) to attract attention to the plight of Gothic architecture.  The monument has become an iconic part of the popular culture since.

The 1939 American film,”The Hunchback of Notre Dame,” added to the collective memory by showing the unforgettable Charles Laughton begging for water on the pillory and the 19-year-old gypsy girl Maureen O’Hara helping him.  “Notre Dame de Paris” has been one of the most popular musical comedies in recent years.  Today computer games attract younger populations under the nave.  In this era of globalization, the cathedral has been an obligatory stop for mass tourism, bringing more than 12 million visitors a year to the building.

On a French televised literary program shown the day after the fire, British author Ken Follet was invited to talk about his 1989 best seller, “The Pillars of the Earth,” describing the generation-long construction of a fictional early Gothic church set in the English countryside.

The cathedral has inspired artists, like Turner, Corot, Hopper, Matisse.  In 1909,  Paul Delaunay created a modernistic vision of the city, as seen from the  top of the spire, through movement and light.  Listening to Debussy’s “La Cathedral Engloutie,” one can’t help thinking of  Notre Dame. The opening stark fifth chords describe the calm waters from which the cathedral slowly rose, inspired from a medieval Breton legend.

But the main reason to revere Notre Dame is that, like the Parthenon, it is a perfect example of the canon of architectural beauty. The masters of the 13th century created a well-balanced, light, elegant structure, devoid of unnecessary decorations.  They created a building at human scale.  Unlike some other cathedral, such as the much taller and rather austere Cologne cathedral, for example, the feeling of height is not oppressive because of the elegant archways of the  “tribune” and the “trifonium” and the upper windows pouring light over the six-point vault rib of the nave.  The giant 13th century rosaces (rose stained glass windows of the north and south transept) filter soft red-blue colors.

This is why I, like so many Parisians or visitors, have being seduced by the cathedral.  Once you visit it, it becomes yours.  Aware that I may never see it again, I am holding on to shreds of memories.

A view of Notre Dame before the devastating fire.

In the mid 19th century, the cathedral was showing its age and historian and medievalist architect Eugene Viollet-le-Duc,  aged 31, was chosen to lead the restoration starting in 1843 . He first created  stunning drawings, blueprints and watercolors.  Beside repairing the damage of time, he also made some bold additions such as the flèche – completed in 1859 – the gargouilles (gargoyles) and chimeras representing fantastic birds, demons, often used as rain spouts.  Built in Neo-Gothic style, they matched  the original spirit of the structure.

Within 48 hours of the fire, there was an unprecedented outpouring of donations.  French billionaires – Francois Pinault (maker of luxury goods, owner of Christie’s auction house) and Bernard Arnaud (LVMH, Vuitton) – rivaled each other as to whom would donate the most and turn down the tax deductions.

The main loss was the 13th century oak framework under the roof.  When it collapsed, the flèche fell through the nave at the crossing of the transept, leaving a gaping hole. For a while, experts feared the danger of collapse in three particular areas. Then stormy weather, with rain and strong winds, forced the workers  to do a fast and amazing job of protecting the structure.  The ones with mountaineering experience were dispatched to the most difficult places, like pinnacles, to lay down tarps over a temporary frame installed where the roof had been.

Two weeks after the blaze, Benjamin Mouton, former chief architect of Notre Dame commented that the building was still fragile.  Stones were at first dangling in the air.  Work by an expert will have to determine the damage caused, in a great part, by the tons of water the hundreds of firemen hosed on the building to put out the fire. It will take several months just to dry up.  The consolidation process alone will take about four months.

Fortunately the rosaces were not damaged, but to bring them back to their original condition will be a painstaking job: each pane of the stained glass will have to be taken down, cleaned, then stored until reinstalled.

Prime Minister Edouard Philippe announced an international competition.  How to conduct the restoration is causing an ongoing controversy:  whether to duplicate the original building or modernize it by using new technology?  Philippe Villeneuve, chief architect of historical monuments, will arbitrate opposing point of views.  Should Notre Dame freeze in the past or at the same time, should one stay away from wild architectural projects not in keeping with the soul of the cathedral?  One of the main dilemmas is whether to replace the oak framework (called “the forest”) with wood or use another material such as metal — as in Reims cathedral — or concrete and metal as in Chartres?

An army of carpenters,  stone-carvers and glass-blowers will be needed.  Les Compagnons du Devoir et du Tour de France (nothing to do with the annual bicycle tours), dating back to the Middle Ages, is an association of monastic character, with 80 houses across France, producing the best artisans and craftsmen in the world.  The transmission, through the centuries, of their savoir-faire will be crucial.

Restoration work, as a rule, is overseen by the Ministry of Culture.  But this time the government appointed General Jean-Louis Gorgelin, former army chief of staff, to conduct the work … and on the double.

The day after the fire, Notre Dame, seen from the East on Quai d’Orléans on Ile St Louis,  looked like a wounded bird.  With the roof gone, buttresses seemed disconnected and to be flying in all directions.

Let us hope it will rise again soon in all its former splendor.

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

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Thought-Provoking, Comedy Classic, ‘Guess Who’s Coming to Dinner,’ Opens at Ivoryton Playhouse.

Standing beside her fiancé Dr. John Prentice (Marc D. Lyons), Joanna Drayton (Katelyn Nichols) announces the unexpected news of her engagement to her parents, Matt Drayton (Gordon Clapp) and his wife Christina (Kaia Monroe) in Guess Who’s Coming to Dinner at the Ivoryton Playhouse.

Guess Who’s Coming to Dinner opens tonight at the Ivoryton Playhouse.

When the movie, Guess Who’s Coming to Dinner, began filming in March 1967, it was still illegal for interracial couples to marry in 14 states, mostly in the South. Changing attitudes in the country and the landmark case Loving v. Virginia coincided with the production of the movie and by the end of the year, the Supreme Court ruled in favor of Mr. and Mrs. Loving, ruling that marriage is a fundamental human right and effectively ending all anti-miscegenation marriage laws in America.

The Ivoryton Playhouse presents an adaptation of the movie by Todd Kriedler. Set in San Francisco in 1967, the play focuses on Matt and Christina Drayton, a progressive couple whose daughter, Joanna arrives home unexpectedly with her fiancé, Dr. John Prentice, an African-American doctor 11 years her senior. They’re in love and they want the Draytons’ blessing for their marriage – today.

Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina quickly come to realize the difference between reading about and supporting a mixed-race couple in your newspaper and welcoming one into your family. It’s not long before a multi-family clash of racial and generational difference erupts.  At the end of the day, will love prevail?

This thought-provoking, comedy classic is a witty and insightful reflection on two families confronted by their prejudices.

Taking on the iconic role of Matt Drayton, made famous by Spencer Tracy, is Gordon Clapp*, best known as the Emmy-winning, Tony-nominated actor who charmed audiences as Det. Greg Medavoy on NYPD Blue (1993) and as loudmouth instigator Dave Moss in the 2005 Tony Award-winning Broadway revival of David Mamet’s Glengarry Glen Ross (1992).

Kaia Monroe*, who is an Associate Professor and Chair of Theatre at SCSU will play his wife, Christina and the rest of the cast include Richarda Abrams*, Cedric Cannon*, R. Bruce Connelly*, Krista Lucas, Marc D. Lyons, Kimberlee Monroe* and Katelyn Nichols.

The play is directed by Kathryn Markey, set design by Daniel Nischan, lighting design by Marcus Abbott and costumes by Elizabeth Saylor.

Guess Who’s Coming to Dinner runs through May 12, 2019. Performance times are Wednesday and Sunday matinees at 2pm. Evening performances are Wednesday and Thursday at 7:30pm, Friday and Saturday at 8pm. There will be one Thursday matinee on April 25th.

Tickets are $55 adult / $50 senior / $25 student / $20 children 12 and are available by calling the Playhouse box office at 860-767-7318 or by visiting our website at www.ivorytonplayhouse.org  (Group rates and subscriptions are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.

*denotes member of Actors Equity

Photographer – Jonathan Steele

  1. Gordon Clapp, Kaia Monroe and Marc D. Lyons
  2. Kaia Monroe and Gordon Clapp
  3. Marc D. Lyons, Katelyn Nichols, Gordon Clapp and Kaia Monroe
  4. Cedric Cannon and Kimberlee Monroe
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Letter From Paris: Exhibition of Macke & Marc’s Art Unintentionally Makes Powerful Statement on European Current Affairs

Nicole Prévost Logan

The exhibition titled Franz Marc / August Macke. The Adventure of the Blue Rider (der Blaue Reiter) at the Musée de l’Orangerie is the exhibit to see this spring when in Paris.  It is a festival of colors by two German artists, Macke (1887-1914) and Marc (1880-1916), who both died prematurely on the front during World War I more than a century ago.

Long overdue, and shamefully so – I believe all art historians would agree – Macke and Marc have never before been shown in France in an exhibit dedicated exclusively to them. The event opened first at the Neue Galerie of New York, then will remain in Paris until June 17.  The curators have made a few changes, particularly stressing the connection with the Blaue Reiter movement and the relationship with other European avant-gardes, particularly the fauvism and cubism in France.

After writing an article myself on April 11 2015 on this very site, it was pure pleasure to see the original works hanging in the spacious lower level rooms of the Orangerie Museum in the Tuileries gardens.

Franz Marc, The Dream [Der Traum], 1912, Museo Thyssen-Bornemisza, Madrid. Image taken from the Musee de l’Orangerie website.

Although they are shown together, the two artists have distinct personalities and styles. They first met in January 1910 and became close friends until the war.  Macke lived in Bonn on the Rhine in central Germany.  Marc, with the Russian artist Wassily Kandisnky and his companion Gabriel Munter and other members of the Blaue Reiter, loved Bavaria in southern Germany. He settled  first in Mirnau, about 40 miles south of Munich, then on Lake Kochel.

At a time when Europe is currently torn by political fractures, when the closeness of France and Germany is crucial to the survival of the continent, this exhibit has a strong symbolic meaning.  The European Union was founded on a determination to put an end to all wars.  What a powerful message when the art of these two young men is displayed together in an exceptional exhibition in Paris, considering, ironically, both men loved France and its culture, and yet died fighting against the country they revered.

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CT River Museum Hosts Dinner in Old Lyme Tonight With Guest Speaker Jeff Cooley; Benefits Curatorial Fund

Jeff Cooley will be the speaker at the Connecticut River Museum’s Brenda Milkofsky Curatorial Fund benefit event on April 18 at the Old Lyme Country Club.

Would you like to know more about the ins and outs of collecting in the contemporary art world? 

Join the board, administration and members of the Connecticut River Museum Thursday, April 18, at the Old Lyme Country Club when Jeffrey Whitman Cooley of The Cooley Gallery in Old Lyme presents “Outs & Ins: The Art in the Life of an Art Dealer.” The event runs from 6 to 9 p.m. and includes dinner.

Cooley, a Hartford native trained at Harvard, apprenticed in the American Painting Department of Christie’s Auction House and graduated to the American Paintings Department at the Wadsworth Athenaeum will share his stories.

In 1981, Cooley established The Cooley Gallery in a yellow storefront on Lyme Street. There he continues to identify, gather, exhibit and interpret American paintings and painters to numerous different audiences.

He serves as an enthusiastic and committed advisor to the New Britain Museum of American Art, the Mattatuck Museum in Waterbury and the former Lyme Academy College of Fine Art, where he was awarded an honorary degree. Cooley is a board member at the Florence Griswold Museum and an Elector at the Wadsworth Athenaeum. He has been an influential guide to young, talented artists helping many to emerge as professionals.

Proceeds from this evening support the Brenda Milkofsky Curatorial Fund. Organized in 2009 to recognize the work of the Connecticut River Museum’s Founding Director, the fund is restricted to the acquisition and conservation of objects and manuscripts that enhance the historical focus of the Connecticut River Museum’s collections.

Purchases from this fund have included the portrait of a Middletown merchant mariner; a landscape of the oft-painted view of the Ox Bow below Mount Holyoke; the stern board of a Portland-built stone schooner; an Old Lyme hunting scene, and a model of a Blue Line tug-boat.

For more information or to make a reservation, visit this link or call the Connecticut River Museum at 860-767-8269. Tickets are $100 per person.

The Connecticut River Museum is located in Essex, Conn., and is the only museum dedicated to the study, preservation and celebration of the cultural and natural heritage of the Connecticut River and its Valley.  The Connecticut River Museum is located at 67 Main Street, Essex and is open Tuesday through Sunday from 10 a.m. to 5 p.m.

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Legislators, Superintendents, Residents Express Universal Opposition to Forced School Regionalization

Special to LymeLine.com

Sitting in the front row of the audience at Monday night’s forum on school regionalization were local school superintendents (from right to left) Ian Neviaser (Lyme-Old Lyme), Pat Ciccone (Westbrook) and Jan Perruccio (Old Saybrook.)

Over 100 people turned out for an Education and Regionalization Forum at Old Saybrook Middle School on Thursday, April 11. The event was hosted by Rep. Devin Carney, (R-23rd), with Senators Paul Formica, (R-20th), and Norm Needleman, (D-33rd).

While the two parties differ on Connecticut road tolls, all three local officials said they are against forced regionalization of school district bills proposed by Senate President Pro Tempore Martin Looney, Senators Bob Duff and Cathy Osten, Deputy President Pro Tempore, and by Governor Ned Lamont.

Rep. Carney said there was an enormous public outcry by small towns and school districts, thousands of pieces of testimony received and hundreds of people, including students from Region 18 schools, who testified in March hearings.  While this probably means that the idea of aligning school districts with recently consolidated probate districts is not advancing, the matter of reducing and reallocating education costs is very much still alive, and pieces of proposed legislation could still become law.

“Nothing is truly ever dead until we gavel out at midnight on June 5,” Rep. Carney said, explaining the state legislative process and timelines of the ongoing session in Hartford. 

State Rep. Devin Carney (R-23rd) addresses the audience Monday night while (left) State Sen. Paul Formica (R-20th) awaits his turn to speak. Almost hidden from view, State Sen. Norm Needleman (D-33rd) stands to Rep. Carney’s right.

Of the six bills introduced that address regionalization of schools or services, three have been passed by the Education Committee and further action could be taken on them:

  • Governors Bill 874 establishes an appointed Commission on Shared School Services that is charged with developing shared school services recommendations, requires boards of education (BOEs) to report on currently shared school services and requires regional BOEs to post online monthly current and projected expenditures and to submit information to their town’s legislative body. The commission would issue a report in December 2020, recommendations could be binding on towns and districts. Because of costs of setting up a commission, the bill has been referred to Appropriations Committee;
  • HB 7350 requires regional education service centers (RESCs) to distribute an inventory of goods and services to member BOEs, and the Department of Education (DOE) shall develop a report of best practices by RESCs for regional cooperation. (LEARN, at 44 Hatchetts Hill Road in Old Lyme, is a RESC);
  • SB 1069, proposed by Sen. Needleman, which allows the DOE to study the effects of towns working together as Local Education Agencies, is intended to encourage voluntary regional cooperation and maximize efficiencies and cost savings without being mandated to become regional school districts.

Superintendents Ian Neviaser (Lyme-Old Lyme), Jan Perruccio (Old Saybrook), and Pat Ciccone (Westbrook) addressed how their districts have been sharing services and resources to reduce costs while maintaining the quality of curriculum along with educational, extracurricular and sports activities and programs.  Standard practices include health and dental insurance, energy, financial software, food service and supplies, plus student transportation for specialized programs.

Old Saybrook, Westbrook and Region 4 (Chester, Deep River and Essex plus the three elementary schools for each of those towns, which are not part of Region 4) school districts already share staff, Perruccio said, in an arrangement that has the flexibility to change yearly based on each districts’ demographic needs.

Perruccio said she was alarmed that the forced regionalization bills showed a lack of regard and understanding of how school districts are already sharing resources with a focus on quality of education.

Ciccone cited how the districts are coordinating to provide professional development for their teachers, and how Westbrook’s school facilities, sports programs and fields are utilized by the Town Parks and Recreation Department and local YMCA. The schools and town share legal and financial services support, as well. 

Lyme-Old Lyme Schools Superintendent Ian Neviaser stands at the podium during Monday evening’s forum.

“There is a money issue here, we need to be frank about it,” said Neviaser, pointing out that significant redistribution of wealth from school districts with higher property values and tax base already occurs. 

Fifty-one percent of New London’s school budget is paid by the state, he said., as is over 60 percent of Norwich’s, 33 percent of Montville’s and 14 percent of East Lyme’s school budgets. Meanwhile, Lyme-Old Lyme Schools receive less than one percent of operating expenses from the state.

“There was no mention of improving educational outcomes in these regionalization proposals,” commented Tina Gilbert of Lyme. “It is because of our school district’s focus on that, we are in the top four in the country in education.  There is no discussion of parent involvement in schools; we are not wealthy or privileged people, we chose to live in this school district for our children.  What it takes to build [highly performing schools] is parent involvement, working with parents.”

When asked if they moved to their town because of the quality of the schools, a high number of people in the audience raised their hands.

While the majority of questions and comments addressed specifics of proposed legislation, the overarching issue of state fiscal problems and how to address government spending arose. Lyme and Old Lyme residents were some of the most vocal about the impact of proposed legislation on property values, taxes and the quality of local school districts.

“The majority of the state doesn’t have a problem, town government works in Connecticut, but Hartford is not responsible,” said Curt Deane of Lyme, pointing out a seven-page summary of education service-sharing produced by LEARN in February.  “The initial [regionalization] proposals would have raised my property taxes by 50 percent overnight. Taxes go up, property values go down. People have to understand, this is going to hit our property taxes and hit hard. This isn’t going to go away.” 

“We can’t be a state with only great little towns and not great cities,” Sen. Needleman said, citing imbalances of health care outcomes and school performance between wealthier communities and the state’s large cities. He continued, “While we don’t want to mess up what we have, we can’t turn our backs on the disparities.”

The legislators encouraged voters to speak up, write letters, follow grassroots organizations such as Hands Off Our Schools or form their own group to express concerns to elected officials.

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Five Days of Fun at Connecticut River Museum This Week

Come to the Connecticut River Museum during April School Vacation for a week of creativity and discovery. Join for one session or the whole week!

Staying in town for April vacation?

Connecticut River Museum (CRM) has five days of cool things to do for your child or children from April 15 to 19. Whether you are looking for one day or all five, there is something fun and exciting waiting for you at the Museum.

Bring your imagination and come prepared to create and experiment as we explore the River and its history. This year the Museum expanded their April Vacation day offerings to full days of fun. Workshops are designed for ages 6 – 12. 

Offerings this year are

  • Poetry and Art
  • Maritime Madness
  • Create a Museum
  • Mud and Dirt
  • Spring is in the Air

Explore the museum, go outdoors, create projects, do arts and crafts. Get more information about each day’s activities and register at www.ctrivermuseum.org.

Programs run from 9 a.m. to 4 p.m. and are $45/day, $205/week for CRM members and $50/Day, $230/week for nonmembers. Advance registration is required and space is limited.

Email sburns@ctrivermuseum.org or call 860.767.8269 x113 with questions. The Connecticut River Museum is located on the Essex waterfront at 67 Main Street.

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Letter From Paris: And So It Goes On … Brexit, That Is

Nicole Prévost Logan

“Order, Order!” barked John Bercow, Speaker of the House of Commons before announcing the results of the third-time-around vote on Theresa May’s Brexit “deal” .  “The ayes to the right 286, the noes to the left 344,  the left have it.”

It was that fateful day, March 29 – chosen by the Prime Minister as the deadline to decide on the “divorce” of the United Kingdom (UK) from the European Union (EU).  The masterful and funny Speaker was able to control his troops and even to provoke laughter, telling one Member of Parliament (MP), “Get a grip, man, do yoga, it will be beneficial to you.”

In retrospect, not much progress had been made to resolve the Brexit issue on the British side since the June 23, 2016 referendum. It seemed that the government was taking its time and fantasizing about the legal elbow room it actually had to make decisions. (See my previous articles published on 3/5/2016; 4/6/2017 and 12/29/18)

Action in the House of Commons started really in earnest on Nov. 15, 2018 when Theresa May’s original deal was voted down. A second vote on the same motion, and a third with almost identical text were also rejected by the MPs. By drawing red lines, the tenacious but inflexible Prime Minister made it hard for herself to negotiate.

During the winter months, the parliament at Westminster offered the world a spectacle of one “decisive week” after another with votes ending in an inability to reach a majority. By March 14, Theresa May had lost her voice and the headlines in the press read “Game over.”

On the eve of the March 29 deadline, the situation turned surrealistic with two superimposed pictures (to use the words of Le Monde special envoy to London) of a vote on May’s deal and eight others on alternative proposals the MPs had organized on their own.  In a dramatic gesture, Theresa May used her last joker – stepping down from office – in case her deal was supported.   

The Prime Minister described the situation as “the end of a process” with the MPs having said no to everything : to the deal, to the absence of a deal, to Brexit, to Article 50 itself, to the eight separate proposals. In the face of this total collapse of a possible way out of this impasse, Donald Tusk, European Council President announced an extraordinary summit in Brussels on April 10.

A surprising amount of information and live coverage is now appearing on the French media,  shedding a new light on Brexit.

One report showed to what extent the public opinion was in fact manipulated.  More than 80 percent of the British press was hostile to Europe and contained “fake news” items.  The “Brexiteers” promised that the Commonwealth would save the UK. The famous red bus of Boris Johnson traveled throughout the country, displaying the number of 350 million pounds sterling ($455 million) in giant letters . That is the amount “BoJo” (Boris Johnson’s nickname) claimed that the UK is sending the EU every week instead of using it to fund the National Health Service (NHS). 

A Canada-based web site called AggregateiQ, created by Dominic Cummings, utilized private data collected from social networks and used it to “microtarget” individuals with “dark ads.” The “Vote Leave” site used a strategy comparable to that used by Cambridge Analytica, a company heavily implicated in the 2016 US election manipulation.

Other reports helped better understand why re-establishing a border between the two Irelands was a visceral impossibility. The Good Friday agreement in 1998 brought peace back but the catholic and protestant communities in Belfast, are still separated.

In this fragile context, the Irish people fear that a 300-mile external border with the EU would jeopardize the hard-won peace agreement. Trying to solve the problem of a border is an attempt at squaring a circle. The only solution might be a border at the bottom of the Irish Sea.  The backstop which allows the border to remain open until a final treaty is signed, is only a temporary solution.

It was not until the 11th hour – or less than one week before the March 29 deadline – that a significant turn occurred in London.  Prime Minister May entered into talks with Jeremy Corbyn, leader of the Labour party, in spite of their sharp disagreements.  It was such a breakthrough that the Chancellor of the Exchequer Philip Hammond declared on April 5, “the threat of the UK crashing out of the Union is heavily diminished.”  The Conservative party began to lean toward a “soft Brexit” and the possibility of the UK remaining in the Custom Union.

During all these months, the Europeans showed a consensual unity.  Their only caveat being that another delay would have to be justified by a clear plan such as general elections or a second referendum.  Their patience though began to wear out by early April as some divergences of opinion emerged. 

The priority for Angela Merkel is to avoid a no deal Brexit and she will bend over backwards to make that happen.   Although sharing many views with the UK in economy or trade, Mark Rutte, Prime Minister of the Netherlands, confirmed his alignment with the collective position. 

The “flextension” of one year suggested by Donald Tusk, President of the European Council, might not appeal to everybody. President Macron and EU Commissioner Juncker sound tougher on more delays. However, Macron reaffirmed on April 1, that he will stand by the decision made by Brussels and will not use his veto.   

The repeated postponements requested by Prime Minister May (April 12, May 23, June 30) forced the MPs to cancel their Easter recess. Much more serious, is the imbroglio caused by the colliding of the Brexit discussions with the European elections scheduled to take place May 26.

This long saga turned rather nasty when Tory MP Jacob Rees-Mogg, ultra Brexiteer, tweeted on April 5, “Let us stay [in Europe] and this way we will be able to damage the Union from the inside and oppose our veto on any Brussels decision”.

And so, the suspense goes on.  During these final hours, the two Houses of Parliament are scrambling to find a solution and seem to agree that a no-deal Brexit is unacceptable.  The Europeans do not want to push the UK out of the Union.

Chances are that the outcome will be Britain remaining in the Custom union, an à la carte solution, which was almost obvious from the beginning.  The British should take heart.  It only took 22 years for Norway to establish relations with the EU through the European Economic Area (EEA), and 29 years for Canada to negotiate with Europe through the Comprehensive Economic and Trade Agreement (CETA)!

Since all the thorny issues – the City, fishing , citizens’ rights, Gibraltar, etc – are included in the 27 pages of the non legally-binding Political Declarations, a  second part of Article 50 (in other words, swept under the rug ) will have to be negotiated later . Brexit will continue to haunt both the divided British opinion and also Europe .

Some may think it is the UK’s vocation is to be independent from Europe and turned toward the rest of the world.  It certainly seems British people consider EU membership a straight-jacket. Interestingly, these are the same reasons General Charles de Gaulle gave persistently more than 50 years ago as to why he was against the original entry of Britain into the European Economic Community (EEC).

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

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Letter From Paris: And So It Goes On … Brexit, That Is

Nicole Prévost Logan

“Order, Order!” barked John Bercow, Speaker of the House of Commons before announcing the results of the third-time-around vote on Theresa May’s Brexit “deal” .  “The ayes to the right 286, the noes to the left 344,  the left have it.”

It was that fateful day, March 29 – chosen by the Prime Minister as the deadline to decide on the “divorce” of the United Kingdom (UK) from the European Union (EU).  The masterful and funny Speaker was able to control his troops and even to provoke laughter, telling one Member of Parliament (MP), “Get a grip, man, do yoga, it will be beneficial to you.”

In retrospect, not much progress had been made to resolve the Brexit issue on the British side since the June 23, 2016 referendum. It seemed that the government was taking its time and fantasizing about the legal elbow room it actually had to make decisions. (See my previous articles published on 3/5/2016; 4/6/2017 and 12/29/18)

Action in the House of Commons started really in earnest on Nov. 15, 2018 when Theresa May’s original deal was voted down. A second vote on the same motion, and a third with almost identical text were also rejected by the MPs. By drawing red lines, the tenacious but inflexible Prime Minister made it hard for herself to negotiate.

During the winter months, the parliament at Westminster offered the world a spectacle of one “decisive week” after another with votes ending in an inability to reach a majority. By March 14, Theresa May had lost her voice and the headlines in the press read “Game over.”

On the eve of the March 29 deadline, the situation turned surrealistic with two superimposed pictures (to use the words of Le Monde special envoy to London) of a vote on May’s deal and eight others on alternative proposals the MPs had organized on their own.  In a dramatic gesture, Theresa May used her last joker – stepping down from office – in case her deal was supported.   

The Prime Minister described the situation as “the end of a process” with the MPs having said no to everything : to the deal, to the absence of a deal, to Brexit, to Article 50 itself, to the eight separate proposals. In the face of this total collapse of a possible way out of this impasse, Donald Tusk, European Council President announced an extraordinary summit in Brussels on April 10.

A surprising amount of information and live coverage is now appearing on the French media,  shedding a new light on Brexit.

One report showed to what extent the public opinion was in fact manipulated.  More than 80 percent of the British press was hostile to Europe and contained “fake news” items.  The “Brexiteers” promised that the Commonwealth would save the UK. The famous red bus of Boris Johnson traveled throughout the country, displaying the number of 350 million pounds sterling ($455 million) in giant letters . That is the amount “BoJo” (Boris Johnson’s nickname) claimed that the UK is sending the EU every week instead of using it to fund the National Health Service (NHS). 

A Canada-based web site called AggregateiQ, created by Dominic Cummings, utilized private data collected from social networks and used it to “microtarget” individuals with “dark ads.” The “Vote Leave” site used a strategy comparable to that used by Cambridge Analytica, a company heavily implicated in the 2016 US election manipulation.

Other reports helped better understand why re-establishing a border between the two Irelands was a visceral impossibility. The Good Friday agreement in 1998 brought peace back but the catholic and protestant communities in Belfast, are still separated.

In this fragile context, the Irish people fear that a 300-mile external border with the EU would jeopardize the hard-won peace agreement. Trying to solve the problem of a border is an attempt at squaring a circle. The only solution might be a border at the bottom of the Irish Sea.  The backstop which allows the border to remain open until a final treaty is signed, is only a temporary solution.

It was not until the 11th hour – or less than one week before the March 29 deadline – that a significant turn occurred in London.  Prime Minister May entered into talks with Jeremy Corbyn, leader of the Labour party, in spite of their sharp disagreements.  It was such a breakthrough that the Chancellor of the Exchequer Philip Hammond declared on April 5, “the threat of the UK crashing out of the Union is heavily diminished.”  The Conservative party began to lean toward a “soft Brexit” and the possibility of the UK remaining in the Custom Union.

During all these months, the Europeans showed a consensual unity.  Their only caveat being that another delay would have to be justified by a clear plan such as general elections or a second referendum.  Their patience though began to wear out by early April as some divergences of opinion emerged. 

The priority for Angela Merkel is to avoid a no deal Brexit and she will bend over backwards to make that happen.   Although sharing many views with the UK in economy or trade, Mark Rutte, Prime Minister of the Netherlands, confirmed his alignment with the collective position. 

The “flextension” of one year suggested by Donald Tusk, President of the European Council, might not appeal to everybody. President Macron and EU Commissioner Juncker sound tougher on more delays. However, Macron reaffirmed on April 1, that he will stand by the decision made by Brussels and will not use his veto.   

The repeated postponements requested by Prime Minister May (April 12, May 23, June 30) forced the MPs to cancel their Easter recess. Much more serious, is the imbroglio caused by the colliding of the Brexit discussions with the European elections scheduled to take place May 26.

This long saga turned rather nasty when Tory MP Jacob Rees-Mogg, ultra Brexiteer, tweeted on April 5, “Let us stay [in Europe] and this way we will be able to damage the Union from the inside and oppose our veto on any Brussels decision”.

And so, the suspense goes on.  During these final hours, the two Houses of Parliament are scrambling to find a solution and seem to agree that a no-deal Brexit is unacceptable.  The Europeans do not want to push the UK out of the Union.

Chances are that the outcome will be Britain remaining in the Custom union, an à la carte solution, which was almost obvious from the beginning.  The British should take heart.  It only took 22 years for Norway to establish relations with the EU through the European Economic Area (EEA), and 29 years for Canada to negotiate with Europe through the Comprehensive Economic and Trade Agreement (CETA)!

Since all the thorny issues – the City, fishing , citizens’ rights, Gibraltar, etc – are included in the 27 pages of the non legally-binding Political Declarations, a  second part of Article 50 (in other words, swept under the rug ) will have to be negotiated later . Brexit will continue to haunt both the divided British opinion and also Europe .

Some may think it is the UK’s vocation is to be independent from Europe and turned toward the rest of the world.  It certainly seems British people consider EU membership a straight-jacket. Interestingly, these are the same reasons General Charles de Gaulle gave persistently more than 50 years ago as to why he was against the original entry of Britain into the European Economic Community (EEC).

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

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Essex Winter Series’ Presents ‘Chanticleer’ This Afternoon in Old Saybrook

The final concert in this season’s Essex Winter Series will feature ‘Chaticleer.’

Essex Winter Series’ presents Chanticleer, the Grammy Award-Winning ensemble dubbed an orchestra of voices, on Sunday, April 7 at 3 pm at Old Saybrook High School, 1111 Boston Post Road, Old Saybrook.

They are celebrating the ensemble’s 40th anniversary with the program, Then and There Here and Now, which contains music by some of Chanticleer’s favorite composers. From Palestrina and Victoria to Mason Bates and Steven Stucky, with lustrous examples of the South American baroque, as well as audience favorite arrangements by Jennings, Shaw and others. This program reflects the expansive aesthetic and seamless virtuosity in ensemble singing which have been Chanticleer’s hallmark for four decades.

Essex Winter Series is honored to be part of Chanticleer’s anniversary year and concludes its season with this fabulous program.

Seating is general admission and tickets may be purchased by calling 860-272-4572 or visiting www.essexwinterseries.com.

The 2019 season is generously sponsored by The Clark Group, Essex Meadows, Essex Savings Bank, Jeffrey N. Mehler CFP LLC, Masonicare at Chester Village, Tower Laboratories, Guilford Savings Bank, and BrandTech Scientific.
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