May 16, 2022

Photographer Skip Hine Gives Author Talk on His New Book at Lyme Library, Saturday

LYME — On Saturday, May 21, Lyme Public Library hosts acclaimed photographer Skip Hine from 2 to 3 p.m. to discuss his new book Memories in Hine Sight: My Life with a Camera.

Hine’s free presentation will include examples of his photographs and the fascinating stories that went into taking them.

With over 45 years of experience, this artist/author has traveled around the world photographing breathtaking landscapes, and taking portraits of some of the most famous celebrities, athletes and politicians in the world.

Register at this link for a unique “behind the lens” tour of life through the eyes of this award-winning photographer. There are only 30 places available for this talk, so register asap!

 

Old Lyme’s ‘Welcome’ Mural to be ‘Revealed’ to the Community at LOL Middle School, Today at 1:30pm; All Welcome


OLD LYME —
On Wednesday, April 27, the newly-created ‘Welcome’ mural at Lyme-Old Lyme Middle School (LOLMS) will be revealed to the community at a ceremony in the school’s auditorium beginning at 1:30 p.m. and lasting around 30 minutes.

All are welcome to attend the ceremony and then view the mural after its official ‘reveal.’ Members of the public attending the ceremony are requested to check-in at the LOLMS office to obtain a ‘Visitor’ sticker prior to going to the auditorium.

The mural is part of the Sister Murals Project sponsored by Public Art for Racial Justice Education (PARJE), which was officially launched March 1, 2021. The primary mission of PARJE is to utilize the broad appeal of art and education to confront racial injustice.

One mural has already been unveiled in Norwich and now murals are being worked on concurrently in Old Lyme and New London.

Lead artist for the Old Lyme Sister Mural is Jasmine Oyola-Blumenthal.

The lead artists for the Old Lyme mural is Jasmine Oyola-Blumenthal, who is an alumna of Lyme Academy College of Fine Arts

The Old Lyme Sister Mural is being installed inside Lyme-Old Lyme Middle School, adjacent to the gymnasium.

In addition to her role as lead artist, Oyola-Blumenthal has worked with school faculty to develop student workshops, which coordinate with the project.

Oyola-Blumenthal and her counterpart, Marvin Espy, in New London were selected from a field of nearly 20 applicants.

In her application, Oyola-Blumenthal referred to the ability of art to inspire people to talk to one another, commenting, “Art is a neutral vessel that can bring forth conversations that can be uncomfortable and promote opportunities to open dialogue on racial justice and education.”

 

Lyme Public Hall Hosts Open Jazz Jam Session, Tonight

LYME — On Wednesday, April 27, from 7 to 9 p.m., Lyme Public Hall will host another Open Jazz Jam session.

All are welcome to come and participate or just listen.

This is a BYOB event and admission is free.

Lyme Public Hall is located at 249 Hamburg Rd. in Lyme.

Two New Shows on View at Lyme Art Association

‘The Bar at Rracis’ by Wende Caporale in pastel is one of the featured works in the Hudson Valley Art Association’s 89th Annual National Exhibition.

OLD LYME — Two new shows are on view at the Lyme Art Association (LAA) through June 2, 2022 at the LAA building located at 90 Lyme St. in Old Lyme.

‘Murmuration’ by Michael Lynch in watercolor is one of the signature works in the ‘Expanding Visions’ show.

Expanding Visions is the LAA’s annual member show that showcases the varied artistic visions of the association’s membership. All types of artwork will be celebrated: hyper-realism, impressionism, abstraction, and non-representational styles.

The exhibit will be juried by Robert Pillsbury, former president of the Salmagundi Club of New York. The show runs from April 15 .

Concurrent with Expanding Visions, the Hudson Valley Art Association (HVAA) will present its 89th Annual National Juried Exhibition. This exhibition includes the finest representational paintings, drawings, prints and sculpture from HVAA’s member artists.

“We are looking forward to these two strong and exciting shows,” says Lyme Art Association’s Executive Director, Laurie Pavlos, adding, “We are very pleased to welcome back HVAA and display what is sure to be a very impressive show.”

She explains, “The HVAA has been coming back for years: they love our beautiful gallery space and our visitors love their impressive and varied works. They always have a great deal of beautiful sculpture which looks fabulous in the gallery.”

She added, “Our Expanding Visions show continues the excitement into the rest of the gallery. The wide range of styles shown side by side in this exhibit makes this a very energetic show and provides something for every art lover.”

The LAA was founded in 1914 by the American Impressionists and continues the tradition of exhibiting and selling representational artwork by its members and invited artists, as well as offering art instruction and lectures to the community.

The Association is located at 90 Lyme Street in Old Lyme, CT, in a building designed by Charles Adams Platt and located within the national historic district.

Admission is free with contributions appreciated.

Gallery hours are Wednesday through Sunday, 10 a.m. to 5 p.m.

For more information on exhibits, purchase of art, art classes, or becoming a member, visit  www.lymeartassociation.org or call (860) 434-7802.

Nationally Renowned Guest Artists Lead Painting Workshops at Lyme Academy

Lyme Academy hosts artist Patrick Okrasinski for an intensive workshop, the Principles of Landscape Painting in May. Image courtesy of the artist.

OLD LYME — Lyme Academy of Fine Arts hosts four comprehensive painting workshops in April, May and June.

These workshops offer students an opportunity to work closely with nationally-renowned guest artists for a concentrated and intensive period of time. Students will gain technical experience and insight into the diverse perspectives and methodologies of figurative and representational art.

The workshops are as follows:
April 22-24.: Painting the Still Life
May 16-20 and May 23-27, Mon-Fri: Principles of Landscape Painting
May 20-22: Sustained Observation
June 1-15: Rose Painting

Todd Casey, The Shamrock, 2015. Oil on linen, 30 by 22 inches. Image courtesy of the artist.

‘Painting the Still Life’ will be led by Todd Casey and runs Friday through Sunday, April 22-24. Register at this link.

Guided instruction held in the inspiring studios of the Lyme Academy will address composition, drawing, light, color theory, form, depth, edges, and how to introduce narrative elements into a painting based on the direct and focused observation of selected objects.

“Casey’s work is both realistic and progressive, carefully observed and inherently narrative. Every painting has a tale to tell, brewed from a deep well of introspective thought,” says co-artistic director, Jordan Sokol, who curates the guest artists hired to conduct the comprehensive art workshops at the Academy.

Principles of Landscape Painting’ is an intensive two-week workshop running Monday through Friday for two weeks, May 16-20 and May 23-27.

This workshop is presented by Patrick Okrasinski, a former student of Artistic Directors Jordan Sokol and Amaya Gurpide. Artists will visit multiple local plein air venues of historical significance in Old Lyme, while learning the foundations of successful plein air landscape painting in a picturesque setting.

Guided instruction will address theories of value, mass, composition, representing light and color, optical effects encountered outdoors, perspective, and more.

Edmond Praybe will lead ‘Sustained Observation’, a three-day still life workshop, May 20-22.

Known for his focus on the convergence of perception and abstraction, Praybe will discuss the role of change and time when painting. He will guide students in how to set up a still life, to look for color and value relationships, and to examine the abstract structure that can be created paintings.

The fourth painting workshop ‘Rose Painting’ will be presented by internationally-recognized, award-winning botanical painter Kathleen Speranza, June 1-15.

Sperenza’s paintings are known for exploring the visual language of space, light, color and form as it relates to specific subjects from nature. This workshop is intended for experienced painters, who wish to study the complex geometry and exquisite subtle colors of garden roses.

The course will include an indirect method of painting and the introduction of a specific limited palette.

Detailed registration information and workshop costs can be located on the Lyme Academy of Fine Arts website at www.lymeacademy.edu.

Founded in 1976 by the sculptor Elisabeth Gordon Chandler, the Academy was created as an institution dedicated to a traditional, skills-based education.

In 2021, Lyme Academy, a non-profit educational organization, returned to its founding roots to offer foundational skills in the fine arts; providing a curriculum which combines rigorous studio instruction in drawing and painting with anatomy, sculpture, and the history of art.

The Academy affirms its legacy and commitment to the community of Old Lyme by providing a vibrant schedule of lectures, exhibitions, workshops, and part-time programs.

Located midway between Boston and New York, Old Lyme, Conn. has been a site of artistic congregation for over a century, becoming the heart of the Lyme Art Colony and the Home of American Impressionism.

Learn more by visiting www.lymeacademy.edu.

Registration Now Open for Variety of Summer Youth Programs at Lyme Academy

This summer, Lyme Academy of Fine Arts will offer a wide range of art programs for students aged 11 and older. Photo by Kayla Lilli.

OLD LYME — This summer, Lyme Academy of Fine Arts will offer a full schedule of summer art programs for students ages 11 and up. Storied landscapes coupled with in-studio instruction by acclaimed, professional artists will provide an exceptional opportunity for students to improve their artistic skills.

The three distinctive youth programs include a Pre-College and Middle School Academy, beginning in June, and Academic Summer Intensives beginning in July. Each program has been developed in alignment with the nationally recognized, specialized arts instruction offered at the Academy.

Registration is open now.

“We are offering a unique opportunity to acquire and hone the foundational skills that form the bedrock of artistic study for a lifetime”, says Jordan Sokol, Co-Artistic Director at Lyme Academy of Fine Arts. “The curriculum has been designed so that new and budding artists can participate on an entry level.”

He continued, “At the same time, experienced young artists, who may be looking towards a long-term academic study of art, can grow their skills and confidence to participate in future serious and rigorous programs such as the CORE program offered at the Lyme Academy of Fine Arts.”

The Pre-College Academy for students ages 14-18 offers beginner- to advanced-level art instruction through a series of workshops designed to foster creativity, build artistic skills, and develop a clear personal point of view.

Each one-week session includes learning the fundamental principles of drawing, painting, and sculpture, while introducing contemporary perspectives and dialogues.

For students wishing to explore the diverse world of illustration, workshop offerings include Illustration Essentials and World-Building.

All Pre-College programs are taught by college faculty in the Academy’s state-of-the-art facilities. These courses are ideal for young artists developing their portfolios.

The Middle School Academy, or “Apprentice Program,” offers students ages 11-13 week-long workshops concentrating on a significant artist in history.

During the summer program, students look to Edgar Degas, Sandro Botticelli and Georgia O’Keeffe for inspiration, creating original works that reflect the qualities specific to each master. The Apprentice program is a fun, hands- on opportunity to work in a professional artist’s studio, while learning about iconic artists and art movements.

The weekly classes for the Pre-College and Middle School Academy will run June 20 through Aug. 17, and range in price from $325 to $650 per session.

The Academic Summer Intensive Program is available for students ages 14 and up, offering the option of Drawing from July 11th-29th and/or Painting from August 1st-17th.

The intensive program offers students an immersive studio experience focused on the foundations of drawing and painting in the academic tradition.

Students will utilize custom north-lit studios, where they will draw daily from direct observation of live models and plaster casts, utilizing a sequential, systematic progression designed to strengthen visual acuity and develop a strategic approach to interpreting the visual experience.

The first three-week session of the two-part workshop will focus on drawing as an introduction to both perceptual and conceptual modes of observation. Students will explore the fundamental properties of light, form, structure, proportion, and gesture.

In the optional, second three-week session, these methodologies are applied to oil painting.

Students will learn to employ a direct-painting method, with focused discussions about paint-handling and color-mixing. Students are encouraged to attend the drawing session as a foundation for the painting session.

Tuition is $2250 per workshop and $4000 if both workshops are attended.

In addition to summer programming, the Academy offers ongoing workshops and classes throughout the year designed to provide a solid, skills-based visual education to develop one’s portfolio and abilities under the leadership of professional artists.

To learn more and to register for any of the programs, visit www.lymeacademy.edu.

Learn more at www.lymeacademy.edu.

“Star of Freedom” Opens at Ivoryton Playhouse

This lively scene from ‘Star of Freedom’ features (from left to right) actors Danny Adams, Ayla Stackhouse, Richard E. Waits, and Ben Hope. Photographs courtesy of Jonathan Steele.

IVORYTON — Last Thursday, April 7, a new musical written by Connecticut writers took the stage in Ivoryton, sparking laughter, cheers and a standing ovation.

Star of Freedom, with music and lyrics by Jeff Blaney and book by Lawrence Thelen, opened the Playhouse’s 2022 Season.

Based on Blaney’s concept album Exodus, Star of Freedom takes the audience on a journey with Sean and Chloe as they search for the meaning of home in 1860s America.

The two come from completely different worlds – one an Irish immigrant, the other an African-American slave – but when the Civil War forces their lives to intersect, they demonstrate what it means to be American during the 19th century.

At a time when America is struggling with its identity, it is worth looking back to another difficult time in history that ultimately led to a stronger and more unified nation. Though today, the flaws and scars that this history left behind are still visible, Star of Freedom offers a ray of hope through the lives of these two very different characters.

Star of Freedom is at times funny and whimsical, while at other times painfully sad, yet it never loses its focus as a love story in a time of strife.

Blaney’s intimate and refreshing score (played by the actors on stage) is steeped in Irish and Southern traditions, making it both contemporary and nostalgic at the same time; while Thelen’s book is timely and theatrical.

Conceived and directed by the Playhouse’s own Artistic Director, Jacqueline Hubbard, this world premiere musical features a strong line-up of actor/musicians, including Danny Adams as Sean, and Ayla Stackhouse as Chloe.

The nearly 30 other characters in the story are handled by Brian Michael Carey*, Luke Darnell*, Richard E. Waits * and Ben Hope,* who also musical directs. Karilyn Ashley Surratt joins the creative team as choreographer.

The show has sets and lights designed by Marcus Abbott; costumes by Elizabeth Saylor; and sound by Adam Jackson.

Star of Freedom runs through Sunday, May 1, 2022. Performance times are Wednesday and Sunday matinees at 2:00 pm; evening performances are Wednesday and Thursday at 7:30 p.m., Friday and Saturday at 8 p.m.

There will be one Thursday matinee on April 7 at 2 p.m. and one Saturday matinee on April 9 at 2 p.m.

This season, the Playhouse is back to full capacity for the first time in two years, yet audience safety remains the primary concern. Masks are no longer required, though recommended, and patrons must provide proof of vaccination or a negative COVID test result for admittance. Knowing all audience members are COVID-free will provide a safe and enjoyable experience for all.

Tickets are $55 for adults, $50 for seniors, and $25 for students. Tickets go on sale beginning March 1 and are available online at ivorytonplayhouse.org or by calling the box office at 860.767.7318.

For information on group rates, call the box office.

For more information on the entire 2022 season, visit ivorytonplayhouse.org. The Playhouse is located at 103 Main Street in Ivoryton.

*Denotes a member of Actors Equity.

Lyme Art Association Presents an ‘Exhibition in Four Acts’ Through April 7

‘Port of Pecceto’ in acrylics by Len Swec is one of the featured works in the ‘Wanderlust’ show.

OLD LYME  — Four new exhibitions, each with a different theme, will be on view in the historic galleries of the Lyme Art Association (LAA) from March 4 through April 7.  ‘Poetry of Motion’, ‘Black and White’, ‘Wanderlust’, and ‘Renewal: Visions of Spring’ will run concurrently, each in a separate room.

The Exhibition in Four Acts is one of the LAA’s most engaging exhibitions, bringing together four distinct types of representational art.

Poetry of Motion showcases the work of talented artist members, who set out to capture the fleeting gestures of action and movement within their artwork.

Black and White features work of all themes in black and white and all the greys in between.

Wanderlust will take visitors on vacation with the artists.

‘Speckled Eggs’ in watercolor by Liz McGee is one of the signature works in the ‘Renewal: Visions of Spring’ show.

Renewal: Visions of Spring focuses on uplifting imagery of springtime and rebirth.

Four Acts is generously sponsored by Guilford Savings Bank in partnership with the Community Foundation of Middlesex County.

“A visit to the Lyme Art Association to see the Exhibition in Four Acts feels like visiting four different galleries. There is a variety and a shift in mood as you move from one gallery to the next,” states gallery manager, Jocelyn Zallinger.

She adds, “This show also allows a visitor to focus on each genre in a way that is not possible in other exhibitions.”

Old Lyme’s Midsummer Festival Returns July 30, LYSB Hosts 5K Run in Morning — Registration Now Open!

Old Lyme’s Midsummer Festival will take place Saturday, July 30, this year with an opening concert at the Florence Griswold Museum the evening before.

OLD LYME — After the disappointment of Old Lyme’s Midsummer Festival being cancelled for the past two years due to the COVID pandemic, we are thrilled to announce that it will be taking place again this year!

So mark your calendars now for the full-day event on Saturday, July 30, with the traditional, outdoor concert at the Florence Griswold Museum taking place the evening before, Friday, July 29.

Lymes’ Youth Service Bureau will be hosting its traditional 5K road race on the morning of July 30. Registration is open at this link.

We will publish more details as they become available.

Florence Griswold Museum Hosts Exhibition of Historic Quilts, Bedcovers Through May 1, Masterpieces from Local Area

Attributed to Jerusha Foote Johnson (1755‒1831), Colchester, Bed rug, 1782. Wool, Collection of Rick and Susan Copeland.

OLD LYME — A new exhibition titled,  New London County Quilts and Bed Covers, 1750–1825, is on view at the Florence Griswold Museum (FGM) in Old Lyme through May 1, 2022. The exhibition examines some of America’s most celebrated items of textile folk art, all produced here in the southeastern corner of Connecticut.

Curated by Lynne Z. Bassett, this exhibition of rare beauty and historic value is an important addition to women’s and Connecticut history and contributes significant scholarship in the field of American textile history.

Unidentified maker, Quilted petticoat fragment, ca. 1750‒1760. Silk, wool, DAR Museum, Gift of Mrs. Robert Weber.

The project began in August 2019 when Bassett, a leading historical textile expert, visited the Museum on a research trip to examine a whitework quilt in the FGM collection. She had become intrigued by the extraordinary tradition of New London County bed furnishings and garments that grew out of this part of Connecticut, which she described as a “hotbed” of uniquely excellent textiles.
In studying these objects and trying to identify their makers, she pondered the larger question: Why was such incredible work done here?

Unidentified maker, “PG”, Quilted petticoat made into a bed quilt; petticoat ca. 1750‒1760; bed quilt ca. 1810‒1840. Wool, broadcloth/muslin, International Quilt Museum, University of Nebraska-Lincoln, 2005.016.0001.

What started with the FGM quilt turned into discovering examples of works from an extraordinary roster of institutions: The Metropolitan Museum of Art, Los Angeles County Museum of Art, American Folk Art Museum, Historic Deerfield, the International Quilt Museum, the Henry Ford Museum, Winterthur Museum, and the DAR Museum.
Visit the exhibition to explore the heritage of these textiles, the ingenuity of their design inspiration and techniques, and learn how New London County fostered such exceptional handiwork.

Unidentified maker, Quilted petticoat fragment, ca. 1750‒1760. Silk, wool, DAR Museum, Gift of Mrs. Robert Weber.

This exhibition has been made possible by generous support from the Department of Economic and Community Development, Connecticut Office of the Arts, The Connecticut Cultural Fund, The Coby Foundation, Connecticut Humanities, Mr. & Mrs. J. Geddes Parsons, Bouvier Insurance, Barbara and Wayne Harms, Mr. & Mrs. Richard H. Booth, Mr. & Mrs. Jeb Embree, Dr. Margaret O’Shea & Mr. Daniel O’Shea, as well as donors to the Museum’s Annual Fund.
The Media sponsor is WSHU Public Radio.

PARJE Selects Lead Artists for Sister Murals in Old Lyme, New London

An opening frame from the time-lapse video by Emida Roller shows the Sister Mural in Norwich, which was unveiled on Martin Luther King Jr. Day, 2022.

OLD LYME/NEW LONDON — This spring, Public Art for Racial Justice Education (PARJE) will bring its Sister Murals Project to Old Lyme and New London.

PARJE, which was officially launched March 1, 2021, utilizes the broad appeal of art and education to confront racial injustice. Last month, after the unveiling of its first Sister Mural in Norwich on Martin Luther King Jr. Day, the group has now partnered with two more artists; Jasmine Oyola-Blumenthal in Old Lyme, and Marvin Espy in New London. 

Lead artist for the Old Lyme Sister Mural is Jasmine Oyola-Blumenthal.

Oyola-Blumenthal will serve as the lead mural artist for the Old Lyme mural. She joins the Sister Murals Project as an alumna of Lyme Academy College of Fine Arts and is looking forward to her homecoming there.

The Old Lyme Sister Mural will be installed inside Lyme-Old Lyme Middle School,  adjacent to the gymnasium. In addition to her role as lead artist, Oyola-Blumenthal will work with school faculty to develop student workshops, which will coordinate with the project. 

Oyola-Blumenthal and her counterpart, Marvin Espy, in New London were selected from a field of nearly 20 applicants.

In her application, Oyola-Blumenthal referred to the ability for art to inspire people to talk to one another saying, “Art is a neutral vessel that can bring forth conversations that can be uncomfortable and promote opportunities to open dialogue on racial justice and education.”

Oyola Blumenthal also has extensive experience working with students.  

Marvin Espy is the lead artist for the New London Sister Mural.

Espy, the lead artist for the New London mural, is also committed to involving and empowering area youth through art and education. From mentoring young artists to promoting art therapy, Espy appreciates the countless applications of art.

Discussing the potential for Sister Mural sites to be safe spaces that assist in facilitating difficult conversations, Espy tells Eddie Long, PARJE Co-Chair, “What  excites me the most about this project is the chance to hear from the community, especially the  students.” 

Espy is a transplant to New London, but the local community has gotten to know him quite well. His  studio is inside the Dewart Building, which houses the studios of several New London artists. Last summer, Espy had a popular solo exhibition, ‘Patina,’ at the Thames River Gallery in New London.

The Sister Mural in New London will be installed in Fulton Park, which is located on Water Street. Easily walkable from New  London’s downtown, Fulton Park includes basketball courts as well as a playscape for children. The large space is nestled between two large apartment complexes and the New London Police Department. In 2018, Charlie King, owner of Hive Skate Shop in New London, led a successful effort to have a skate park built on the grounds of Fulton Park.  

With the help of RiseUP for Arts and CT Murals, PARJE will install five Sister Murals in five towns:  Norwich, Old Lyme, New London, East Lyme, and Old Saybrook.  

Public Art for Racial Justice Education is a broadly-based, interracial, non-partisan, non-sectarian organization consisting of volunteers from all around southeastern Connecticut.

For regular updates on the progress of the Sister Murals Project, check out Public Art for Racial Justice Education on Facebook and Instagram.  

For additional information, email racialjusticeart@gmail.com or visit racialjusticeart.org.

Editor’s Note: This article is based on a press release issued by PARJE.

Lyme-Old Lyme HS Students Win Major Awards at 2022 CT Scholastic Art Contest

This work by Lyme-Old Lyme High School Senior Elle Myers titled, ‘Coming to the surface,’ was awarded a Gold Key in Painting at the CT Scholastic Awards.

OLD LYME — Six students from the Lyme-Old Lyme High School (LOLHS) Art Department were recognized at this year’s prestigious Connecticut Scholastic Art Awards. The contest celebrates the work of talented young artists in the state in grades 7 through 12.

Student artwork is juried by professional artists and university art faculty and selected on merit for inclusion in a statewide art exhibition held at the Hartford Art School. Beyond the honor of being chosen for this highly selective exhibition, students are eligible for Gold or Silver Keys and Honorable Mention awards in each of 17 media categories.

Lyme-Old Lyme High School Senior Elle Myers received a Gold Key in Painting, as well as Silver Keys in both Painting and Drawing.

‘Timothy Posing’ by LOLHS Senior Elle Myers received a Silver Key in Drawing at the CT Scholastic Art Awards.

Lyme-Old Lyme High School Senior Olivia Schaedler was awarded a Gold Key in Photography for her work titled, ‘Cables,’ pictured below.

The winners of Gold Keys will subsequently have their artwork submitted digitally to the National  Scholastic Art Awards where they will be juried against Gold Key winners from all 50 states.

Senior Samantha Geshel received two Honorable Mentions in Painting, and Senior Shawn Grenier was given an Honorable Mention in Digital Art.

Junior Lea Wilson was awarded a Silver Key in Comic Art for the work titled, ‘Bread Duck,’ pictured above, and Sydney Goulding received an Honorable Mention in Ceramics and Glass.

The Connecticut Regional Scholastic Art Awards Program is sponsored by the Connecticut Art Education Association and the University of Hartford, Hartford Art School.

A virtual Awards Celebration was held Feb. 12.

Lyman Allyn Art Museum Showcases Recent Work by Marian Bingham, on View Through April 10

This first of four panels titled, ‘Connecticut Shore,’ by Marian Bingham, dated 2015, (oil on canvas, 30 x 30 inches) is featured in the exhibition currently on view in the Lyman Allyn Art Museum.

NEW LONDON – The Lyman Allyn Art Museum announces the opening of Locations: Recent Work by Marian Bingham, on view Feb. 5 through April 10. 

Bingham, better known as “Bing,” is an award-winning artist, printmaker, and longtime Connecticut resident, who played a significant role in the state’s art community for decades. The Lyman Allyn’s exhibition explores place, temporality, memory, and meaning in her work. Shifting between materials and techniques, the artist’s practice concerns formal artistic exploration grounded in observation, narrative, and allegory. 

“Bing has long been a friend and advocate for the Lyman Allyn,” said Museum Director Sam Quigley. “We are thrilled to present a selection of her recent work, which explores her life-long passion for the arts.” 

The show features multi-panel paintings that offer sweeping views of forests and fields, while smaller canvases depict evocative, poetic spaces. Recent prints and collages reveal the artist’s exploration of seriality, color, form, and texture. Still-life and interior views alternate with imaginative scenes that playfully juxtapose materials and effects. 

The exhibition will be on view in the Glassenberg Gallery on the first floor as part of the  Museum’s Near :: New contemporary series. Bingham has exhibited at prominent galleries across the state, the country and the world, including the So Hyun Gallery in New York City;  the National Museum of Women in the Arts in Washington, DC; the Luz Gallery in Manila,  Philippines; and the Hotel Abbye-Ecole in Soreze, among many others. 

The virtual opening reception is Friday, Feb. 4, from 6 to 7 p.m. Visit the  calendar of events tab on lymanallyn.org for event registration information. To  accompany the exhibition, Bing will host an in-person Gallery Talk on Wednesday, April 6  from 5:30 to 7 p.m. Participants can register by calling 860.443.2545 ext. 2129, space is limited.  

For more information, contact Rebecca Dawson by email at dawson@lymanallyn.org.  

The Lyman Allyn Art Museum welcomes visitors from New London, southeastern Connecticut  and all over the world. Established in 1926 by a gift from Harriet Allyn in memory of her seafaring father, the Museum opened the doors of its beautiful neo-classical building surrounded by 12 acres of green space in 1932.

Today it presents a number of changing exhibitions each year and houses a fascinating collection of over 17,000 objects from ancient times to the present; artworks from Africa, Asia, the Americas and Europe, with particularly strong collections of American paintings, decorative arts and Victorian toys and doll houses.  

The Museum is located at 625 Williams St., New London, Connecticut, exit 83 off I-95. The  Museum is open Tuesday through Saturday, 10 a.m. to 5 p.m., Sundays 1 to 5 p.m.; closed Mondays and major holidays.

For more information call 860.443.2545, ext. 2129  or visit www.lymanallyn.org.

Ruth Ann Heller Music Foundation Announces Scholarships to Lyme-Old Lyme Music Students

Photo by Marius Masalar on Unsplash.

LYME-OLD LYME — UPDATED 2/3/22 with revised information sent by the Ruth Ann Heller Music Foundation:
The Ruth Ann Heller Music Foundation Board of Trustees has announced its awards for private study music scholarships for 2020-21 to students from Lyme-Old Lyme (LOL) High School and LOL Middle School.

Award recipients from LOL High School are:
Ava Gilbert Gr 9 Flute
Andrew Liu Gr 9 Bari Sax
Natalie Buckley Gr 10 Flute
Jacob Derynioski Gr 10 Percussion
Phoebe Lampos Gr 11 Oboe/English Horn
Marielle Mather Gr 11 Clarinet
Nikolai Stephens-Zumbaum Gr 12 Percussion
Avery Wyman Grade 12 percussion

Award recipients from LOL Middle School are:
Jonah Filardi Gr 6 Saxophone
Gavin Gray Gr 6 Alto Sax
Sophia Huang Gr 6 Percussion
Avery Zbierski Gr 6 Flute
Ceciley Buckley Gr 7 Clarinet
Morgan Buerger Gr 7 Saxophone
Gavin Goulis Gr 7 Trumpet
Harrison Goulis Gr 7 Trombone
Arthur Riccio Gr 7 Trumpet
Warren Volles Gr 8 Trumpet
Oliver Wyman Gr 8 French Horn
CJ Zapatka Gr 8 Trombone

As a supporting organization for LOL Schools, the Ruth Ann Heller Music Foundation awards scholarships to be used for private music instruction to students participating in LOL Middle and High Schools band programs.

The 501(c)(3) non-profit foundation was formed in 1999 after the retirement of Ruth Ann (King) Heller from LOL High School, with a mission to strengthen and improve the instrumental music program in LOL Schools.

Donations to the foundation in any amount are gratefully accepted. The mailing address is: Ruth Ann Heller Music Foundation, PO Box 298, Old Lyme, CT 06371, or alternatively, donations may be made through PayPal at http://www.rahmf.org/#donate.

Editor’s Note: This article is based on a press release issued by the Ruth Ann Heller Music Foundation.

Registration for Cappella Cantorum Spring Concert Continues Online

LYME/OLD LYME/AREAWIDE — Cappella Cantorum MasterWorks Chorus continues its 2021-2022 season with rehearsals for the Spring Concert starting Monday, Jan. 17, 2022 at Trinity Lutheran Church in Centerbrook, CT. 

After Jan.17, it will still be possible to register online or call 860-941-8243 for assistance.

Singers from across the area, including the Towns of Lyme and Old Lyme, are welcome. Auditions are not required.

The selected works to be performed are Parts 2 and 3 from Messiah by G.F. Handel. The concert date is tentatively set for May 15; check the Capella Cantorum website for updates. 

Registration will begin at 7 p.m. on Jan. 17, with the first rehearsal following immediately after at 7:30 p.m. The Chorus typically rehearses on Monday evenings at 7:30 p.m. at Trinity Lutheran Church.  

Proof of full Covid-19 vaccination is required for registration and participation, and masks must be worn while in the building.

Registration is $50 (music is extra), and all participants are encouraged to register in advance on the website at www.cappellacantorum.org

Major Retrospective Exhibition of Work by Prominent US Artist Lennart Anderson Opens at Lyme Academy

This ‘Self-Portrait’ of Lennart Anderson, c. 1965, oil on canvas, 10 x 13 in. from a private collection is on display at the retrospective exhibition of the artist’s work at Lyme Academy, which opens Jan. 14.

OLD LYME – On Friday, Jan.14, 2022, Lennart Anderson: A Retrospective opens in the Chauncey Stillman Gallery at Lyme Academy of Fine Arts and is on view through March 18.

Described by the New York Times as one of the “most prominent and admired painters to translate figurative art into a modern idiom,” Lennart Anderson (1928-2015) was an American artist renowned for his mastery of tone, color, and composition, and for a teaching career that deeply influenced future generations of painters.

A signature painting of the Lennart Anderson; A Retrospective exhibition is ‘Portrait of Barbara S. (the first one)’, from 1972, (oil on canvas, 21 7/8 x 18 in. Private Collection.)

Curated by Lyme Academy’s Artistic Directors Amaya Gurpide and Jordan Sokol in collaboration with the artist’s estate and the New York Studio School, Lyme Academy will be the second venue for this first major survey of the artist since his death in 2015.

The exhibition brings together over 25 paintings and drawings from both public and private collections, including paintings from the Whitney Museum of American Art and the Bank of New York Mellon Collection, as well as from Anderson’s own gallery, Leigh Morse Fine Arts.

In addition to several works featured at the exhibition’s opening at the New York Studio School, newly selected works that emphasize the artist’s sensitivity to portraiture and the intimate relationships he formed with his subjects will be featured in the Lyme Academy exhibition.

“As a painter I’ve studied Lennart’s work for years, so the opportunity to co-curate this exhibition has been particularly meaningful,” says Sokol. “Lennart’s paintings brilliantly fuse the figurative tradition with a modern sensibility, making his work especially relevant for Lyme Academy, as well as generations of painters after him.”

The exhibition is accompanied by a scholarly catalogue that pairs more than 50 full-color reproductions of Anderson’s work with essays by art historians Martica Sawin and Jennifer Samet and painters Susan J. Walp and Paul Resika. Catalogues will be available for purchase at Lyme Academy of Fine Arts during the course of the exhibition.

Lennart Anderson’s ‘Portrait of Mrs. Suzy Peterson’ (1959. Oil on canvas, 30 3/16 × 26 15/16 in. Whitney Museum of American Art, New York; purchased with funds from the Neysa McMein Purchase Award 63.49) will be on display in the retrospective exhibition of his work at Lyme Academy.

Born in Detroit, Lennart Anderson (Aug. 22, 1928 – Oct. 15, 2015) studied at the Art Institute of Chicago, Cranbrook Academy, and at the Art Students League under Edwin Dickinson. He was a member of the American Academy of Arts and Letters and National Academy.

He received a Guggenheim Fellowship, the National Endowment for the Arts grant, the Tiffany Foundation grant and the Prix de Rome.

Anderson’s work is in the permanent collections of the Brooklyn Museum, the Cleveland Museum of Art; the Hirshorn Museum and Sculpture Garden, the Museum of Fine Arts, Boston, the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Delaware Art Museum, among others.

He taught at Columbia University, Yale University, and served as a distinguished professor emeritus of Brooklyn College.

The Estate of Lennart Anderson is represented by his longtime gallerist, Leigh Morse Fine Arts, New York.

Following its presentation at the Lyme Academy of Fine Arts, the exhibition will travel its next venue, the Southern Utah Museum of Art.

The Chauncey-Stillman Gallery at Lyme Academy of Fine Arts is located at 84 Lyme St. in Old Lyme, Conn. The gallery hours are 10 a.m.to 4 p.m. daily. Entrance to the exhibition is free, but donations are welcome. Free parking is offered onsite.

The mission of the Lyme Academy of Fine Arts is to teach the foundational skills of drawing, painting, and sculpture in the figurative tradition. By its commitment to training students in these skills and an engagement with contemporary discourse, the Academy will empower a new generation of artists. Through its programs, the Academy is committed to enriching the cultural life of the community.

Learn more by visiting www.lymeacademy.edu.

‘First Impressions’ Associate Artist, ‘Congratulations’ Exhibitions Open at Lyme Art Association

‘Morning Fog Lifting’ by Alexander Farquharson is one of the signature paintings in the upcoming First Impressions exhibition at Lyme Art Association.

OLD LYME —  Lyme Art Association (LAA)’s First Impressions exhibition is a juried exhibition of the Association’s Associate Artist members, accomplished artists who have been successfully exhibiting in selective shows. This exhibit will include a variety of media and themes: landscape, portrait, and still life paintings, as well as sculpture.

In addition, the three new Elected Artists, who were inducted into the LAA in October 2021, will present their work in Congratulations in the Goodman gallery. This year Sara Drought Nebel, Rick Daskam, and Matthew Schwager joined the esteemed ranks of LAA’s Elected Artists.

Both exhibits run from Jan. 14 through Feb. 24, 2022.

“The Annual Associate Artists Exhibition highlights the range, creativity, and excellence of our Associate Artist members,” comments Jocelyn Zallinger, LAA’s Gallery Manager. She adds, “This exhibition includes a variety of subjects, media, and styles: paintings or sculptures that capture the range of human emotion, the beauty and grandeur of the Connecticut landscape, or the personal objects and surroundings of everyday life.”

Meanwhile, Zallinger notes, “The Congratulations show in the Goodman Gallery promises to be impressive; each new class of Elected Artists brings some new, unique perspectives and wonderful talent, and this year is no exception.”

Both exhibitions are on view in the 100-year-old sky-lit galleries of the LAA at 90 Lyme St. in Old Lyme, Conn.

Hours are Wednesday through Sunday, 10 a.m. through 5 p.m., and by appointment. Admission is free but donations are welcome.

Visit this link for more information about the LAA.

Lyme Academy Welcomes Community to Enchanted Afternoon of Seasonal Celebrations

Photo by Suzanne Thompson.

OLD LYME — There were smiles everywhere on Saturday afternoon when Lyme Academy of Fine Arts opened its doors and grounds to the community to celebrate the season.

There was plenty of activity at the firepits where ‘smores galore were toasted. Photo by Lyme Academy of Fine Arts.

Asked after the event how she felt this inaugural event had worked out, Mora Rowe, Executive Director of Lyme Academy told LymeLine, “Our first annual tree lighting was the picture of holiday cheer, with families and friends of all ages gathered on the Academy grounds. Hands were warmed around a bonfire, perfect for homemade s’mores, and hearts were made merry through the festive sounds of caroling and local bands.

Photo by Lyme Academy of Fine Arts.

Michael Duffy, chairman of the Lyme Academy Board of Trustees, addressed the large crowd from the steps of the Sill House (above).  State Representative Devin Carney (R-23rd) to his left followed suit …

Photo by Suzanne Thompson.

The Lyme-Old Lyme Middle School Band cheerfully played …

Photo by Lyme Academy of Fine Arts.

Many local non-profit organizations participated and the Duck River Garden Club (DRGC) was an especially popular stand …

Photo by Suzanne Thompson.

… where people spent time enjoying their ‘Tussie Mussie’ handiwork …

Photo by Suzanne Thompson.

… and the ladies working behind the stand were clearly enjoying themselves too!

Photo by Suzanne Thompson.

Pollinate Old Lyme! was kept busy educating folks on the importance of pollinators and selling beautiful medallions …

Rowe continued, “Our arts and crafts stations ensured that gift-able goodies would find their way under the tree – thank you to our own Academy students and faculty for their creativity and help with that!”

Photo by Lyme Academy of Fine Arts.

Old Lyme First Selectman Timothy Griswold (center in blue baseball hat) and newly-elected Region 18 Board of Education Chairman Steven Wilson (second from left facing camera with dark-colored jacket) were two of the hundreds of local residents enjoying the festivities …

Photo by Suzanne Thompson.

… as were these DRGC ladies and their ‘customers.’

Photo by State Rep. Devin Carney.

These three local dignitaries, Michael Duffy (Lyme Academy Board Chairman), Tim Griswold (Old Lyme First Selectman) and Devin Carney (R- 23rd District State Representative) took a few moments out from all the fun to take a smiling selfie.

Photo by Lyme Academy of Fine Arts.

The Lyme Academy Cafe did a brisk business in Apple Cider Donuts and hot chocolate …

Photo by State Rep. Devin Carney.

A sparkling Christmas tree was lit, carols were sung, and a thoroughly good time was had by all.

Rowe summed up the whole event with these words, “The afternoon was a reflection of the wonderful community we have here in Old Lyme and surrounds, and was the jolliest and most special way to begin the holiday season,” adding enthusiastically, “May all days be so merry and bright!”

Florence Griswold Museum Presents ‘Revisiting America: The Prints of Currier & Ives’ Through Jan. 23 

Broadway New York, n.d. Lithograph. Joslyn Art Museum, Gift of Conagra Brands, 2016.20.78

OLD LYME — The Florence Griswold Museum in Old Lyme, Connecticut, presents Revisiting America: The Prints of Currier & Ives, on view through Jan. 23, 2022.

Currier & Ives was a prolific printmaking firm based in New York City in the 19th century. Founded by Nathaniel Currier in 1834 and expanded by partner James Merritt Ives in 1856, the firm produced millions of affordable copies of over 7,000 lithographs, gaining it the title, “the Grand Central Depot for Cheap and Popular Prints.” 

Revisiting America comes from the Joslyn Art Museum in Omaha, boasting a collection of nearly 600 Currier & Ives prints donated by Conagra Brands. Currier & Ives perpetuated Victorian ideals in its depictions of family, history, politics, and urban and suburban life—concepts that persist today partly as a result of the wide distribution of their images. 

Revisiting America offers an opportunity for viewers to contemplate the complexities and contradictions of America’s past. For many people, what could be more iconic representations of America than the prints of Currier & Ives? For others, they are reminders of harmful stereotypes of the poor and indigenous and enslaved peoples. While a trip down America’s memory lane, the exhibition offers an opportunity to delve into the reality that the company’s romanticized scenes sometimes prioritized marketability over morality. 

For the presentation at the Florence Griswold Museum, Curator Amy Kurtz Lansing expands upon the exhibition’s original scholarship with a section discussing artist Frances Flora Bond Palmer, examples of how Currier & Ives images were re-discovered and used in the 20th century, an explanation of lithography, and additions pertaining to the Griswold family. 

Made to Sell 

Currier & Ives prints were first and foremost commodities, with subjects often determined by popularity and sales figures. 

The choices the company made about what not to include in their images are as significant as what is depicted. For instance, although cities were often characterized by deep poverty and inequality, and perceived as full of crime, the firm’s views of urban streets represent an idealized version of the city—populated by fashionable, well-to-do people, clean thoroughfares, and regal buildings.

These idealized images appealed to rural and urban customers alike by offering visions of city life unaffected by the social and economic issues of the day. Broadway New York depicts the intersection of Broadway and Ann Streets in Manhattan. Once a quiet residential district surrounding City Hall Park, where people stroll in the foreground, the area became a bustling commercial and entertainment hub around 1841. 

As author James Dawson Burn described, “There you may see the lean lanky Puritan from the east, with keen eye and demure aspect, rubbing shoulders with a coloured [sic] dandy, whose ebony fingers are hooped in gold.” The Currier & Ives print shows a bustling urban space with chic (but not diverse) passersby. 

Other popular sellers were depictions of leisure time activities. The age of industrialization allowed Americans more opportunity to fill their day with sports and other pastimes. Popular hobbies of the time included hunting, fishing, and horse racing, topics marketed to men for their offices, saloons, and clubs. 

Currier & Ives produced more than 750 prints related to horses and horse racing, such as Harry Bassett and Longfellow, in their Great Races at Long Branch, N.J. July, 2nd and Saratoga, N.Y. July, 16th 1872. The lithograph depicts two famous racehorses, Harry Bassett and Longfellow, whose two newsworthy races are memorialized in the text of the print. 

The Social Media of the Day? 

The sheer reach of Currier & Ives prints, sold in their New York City store, or by mail order, pushcart vendors, and far-flung agents, put their pictures in view of countless Americans, particularly women to whom they were marketed as affordable domestic decor.

The visually-based culture we live in today, with images circulating on the internet and social media, has its origins in the mass communications created in part by Currier & Ives. The prints promoted an optimistic ideal of home, family, and stability in their day, and continue to exemplify that view for Americans, who became acquainted with them in the 20th and 21st centuries, when we play out those same fantasies on our social media feeds. 

A Griswold Connection 

Nineteenth-century Americans took pride in the technological advancements being made across their nation. A rapid and wide-reaching revolution in transportation led the country from majestic clipper ships to powerful steam-driven boats and locomotives in a matter of decades.

At their height in the middle of the century, clipper ships—three-masted merchant ships designed for speed—ruled the seas and allowed for the faster-than-ever transportation of goods and people across the Atlantic and along the coasts. 

Pairing Charles Parsons’s oil painting Clipper Ship Challenge at Griswold’s Wharf, Pine Street, New York (ca. 1851), on loan from local collectors, with James E. Butterworth’s Currier & Ives lithograph Clipper Ship Flying Cloud, (1852), Curator Amy Kurtz Lansing makes a Connecticut connection to the pursuit of global trade. 

As captain of a fast sailing ship Florence Griswold’s father transported goods and people across the Atlantic until his retirement, while extended family members Nathaniel and George Griswold (owners of Challenge) imported tea from China. 

Frances Flora Bond Palmer (1812–1876) 

Most of Currier & Ives’s artists are unidentified, their works published under the name of the firm rather than their own signature. However, one of their most prolific contributors, responsible for at least 200 lithographs, was Frances (Fanny) Palmer. Born and educated as an artist in England, Palmer and her printer husband owned their own firm before immigrating to America in 1844.

Frances Palmer, Snipe Shooting, 1852, Lithograph. Joslyn Art Museum, Gift of Conagra Brands, 2016.20.338

For Snipe Shooting (1852), the artist sketched the image from nature and made the final drawing on the lithographic stone. The image was printed with two separate inkings of the stone in different colors. Palmer’s artistic skill, knowledge of lithographic techniques, and ability to compose what became some of their most iconic prints gave Currier & Ives its edge over the competition.  

Lithography Explained 

Derived from the Greek for “writing on stone,” lithography was invented in 1796 by the German Alois Senefelder. It differs from other forms of image reproduction in the way it allows artists to draw expressively and with varying thicknesses of line right on the printing surface. Unlike etched or engraved metal plates that wear down over time, lithography allowed for printing many more copies, leading to its quick embrace by the industry in America by the 1830s. 

By displaying lithography tools, including examples of stones used by artists today borrowed from neighboring Lyme Academy of Fine Arts, visitors better understand the process necessary to produce this type of print. 

The Legacy of Currier & Ives 

Why are Currier & Ives lithographs still so well-known today?

By the time Currier & Ives ceased operations in 1907 it had dispersed countless prints around the country. Hanging in homes, offices, bar rooms, clubs, and schools, these “engravings for the people” were often the only visual representations in Americans’ lives. After World War I, artists and collectors, striving to define an identity proudly distinct from Europe, delved into America’s past, where they re-discovered Currier & Ives. Suddenly appreciated again, newspapers in the 1920s published stories about the frenzied search for the prints in attics and shadowy corners, and noted their inclusion in art exhibitions.  

Currier & Ives prints began to be reproduced on Christmas cards, collectibles, stamps, everyday dishes, and glassware. Examples of these items are on display. Connecticut artist George Henry Durrie, whose snowy views of country homes appeared in nearly a dozen Currier & Ives lithographs, are the among the most commonly reproduced as evocations of Thanksgiving and Christmas. Visitors to the exhibition have enjoyed sharing their memories through social media and interaction with staff, such as this quote from the comment book, “My wonderful grandfather gave cards at Christmas with Currier & Ives pictures on the front. I am 67 years old and still have some of them. Nice memory!” In Connecticut, Travelers Insurance included Currier & Ives images on their annual calendar in beginning in 1936 and encouraged the prints to become lasting décor with instructions on how to cut out and put the calendar pages in 11 x 16 inch frames. The company still produces Currier & Ives calendars today.  

Collection  

Roy King, a private collector from New York, assembled the extensive Currier & Ives print collection over a period of three decades starting in the 1950s. He collected 672 lithographs, most of which were purchased individually.

In 1975, King sold his prints to New York holding company, Esmark. The collection was kept together and shown across the country at universities and museums. Esmark allowed the prints to be seen in over 100 galleries, museums, and universities as well as two dozen other countries, created a wider audience than ever before for these popular depictions of quintessential American life.

The prints were then purchased by Conagra Brands, which installed them in spaces that were open to the public in Omaha, Neb. I

n June 2016, Conagra Brands donated the collected to the Joslyn Art Museum, where it could remain a cherished presence in the Omaha community. 

Florence Griswold Museum  

The consistent recipient of a Trip Advisor Certificate of Excellence, the Florence Griswold Museum has been called a “Giverny in Connecticut” by the Wall Street Journal, and a “must-see” by the Boston Globe.

In addition to the restored Florence Griswold House, the Museum features a gallery for changing art exhibitions, education and landscape centers, a restored artist’s studio, 12 acres along the Lieutenant River, and extensive gardens and nature trail. The Museum is located at 96 Lyme Street, Old Lyme, CT.

Visit FlorenceGriswoldMuseum.org for more information, including a list of programs and activities related to the exhibition.  

Three Shows On View at Lyme Art Association; ‘Deck the Walls’, “Hands on the Land,’ ‘Polly Seip Solo Show’

‘Harvest Moon’ by Del-Bourree Bach in acrylics is one of the featured works in the ‘Deck the Halls’ show on view at Lyme Art Association.

OLD LYME — There are currently three shows on view at Lyme Art Association (LAA.)

The signature show is the LAA’s perennially popular holiday art exhibition and sale, Deck the Walls, which is on view through Jan. 2, 2022. More than 200 original works of art by member artists will be on display and priced to sell as holiday gifts. Deck the Walls features a wide variety of appealing subjects and tends toward smaller, less expensive works.

Concurrently with Deck the Walls, an exhibition reflecting on the impact of humans on the local landscape will be on view. This show titled Hands on the Land is a collaboration with the Connecticut River Museum and was previously on view there.

A third show, the Polly Seip Solo Show, is also on view. Polly Seip won the first prize in the 2019 Associate Artists Show, and received the opportunity to present a solo show. Her luminous nocturnes are especially noteworthy.

‘Slate-Colored Junco’ by Bivenne Staiger reflects the wintry theme of the ‘Deck the Halls’ show.

“For Deck the Walls, the Lyme Art Association features a wide variety of appealing subjects at affordable prices that are great for holiday shopping. We hope to help solve those gift giving dilemmas – a beautiful piece of artwork is always appreciated!” says Jocelyn Zallinger, Gallery Manager.

“During the holiday season, the Lyme Art Association is a great place to come for a gentle activity for children on school vacation or for visiting guests. Whether you have a few minutes or more than an hour, the gallery is a wonderful way to decompress, stimulate conversation, or simply enjoy yourself,” comments Laurie Pavlos, Executive Director.

‘Winter Light’ by Caleb Stone is another of the signature paintings in the ‘Deck The Walls’ show.

The LAA is free and open to the public Wednesday through Sunday, from 10 a.m. to 5 p.m., and by appointment.

The LAA is located at 90 Lyme St. in Old Lyme, at the corner of Halls Road. Call 860-434-7802 for more information, or visit www.lymeartassociation.org.