Gilbert Boro, owner and sculptor at Studio 80 + Sculpture Grounds in Old Lyme, will host an Opening Reception for Summer Sculpture Showcase 2016 this coming Friday, June 10, from 5 to 7 p.m. All are welcome to attend the outdoor reception at which light refreshments will be served. Guests will be free to explore the expansive sculpture gardens and view the more than 100 sculptures on display during the event.
This juried exhibition follows on naturally from last year’s extremely successful Summer Sculpture Showcase 2015, which drew large crowds and had to be extended into October to meet public demand. This new exhibition on the grounds adjoining Boro’s studio and inside the Emily Seward Boro (ESB) Gallery on the property features works created by 17 widely acclaimed sculptors interspersed amongst Boro’s own sculptures, along with works by 13 other contributing artists. More than 30 sculptors from across the country responded to the Call for Entries submitting some 60 works.
Boro’s Sculpture Gardens are located on 4.5 acres of his residence on historic Lyme Street in the heart of Old Lyme, Conn. The beautifully landscaped grounds slope down toward the Lieutenant River offering a unique plein air experience for the exhibition, which combines both large- and small-scale contemporary sculptures. Many of the works, which are in a variety of media, are for sale.
The sculptors, whose 25 pieces of work are included in the Showcase, are:
Mark Attebery, Diane Barcelo, Ashby Carlisle, Bryan Gorneau, Gints Grinbergs, Lannie Hart, Jay Hoagland, Deborah Hornbake, Conrad Levenson, Elaine Lorenz, David Madasci, Liza Masalimova, Sui Park, Chris Plaisted,
Bill Vollers, Martha Walker and Melanie Zibit.
The signature piece of the exhibition is “Mega-Dandelion” by Gints Grinbergs. It is a large — 144” in height, 56” in diameter — yet delicate structure that evokes the intricate design of lace in its welded and stainless steel structure. Grinbergs explains in his artist’s statement that he looks to nature for inspiration with “interests [that] range from the macroscopic to the microscopic – from flowers and their structure to bacteria and viruses – from the giants of outer space to sub atomic particles.” He continues, “I build sculptures derived from the universal forms of nature. All of the sculptures in this series are built from recycled materials … I attempt to transform, up-cycle, these manmade materials into the infinitely more complex forms designed by nature.”
Grinbergs’ work has been featured at various museums and galleries and is included in private and corporate collections throughout North America.
Created out of cement, fiberglass and paint, Elaine Lorenz’s intriguing “Water Course” comprises three pieces. She states that she has made “sculpture in such diverse materials as wood, metal, concrete, encaustic over a wire armature and ceramic, while maintaining an overall view of nature as a dominant source of energy and influence on her work.” Lorenz explains her approach in creating art as, “abstract, only alluding to things, relationships or emotions and leaving room for the viewer’s interpretation.”
Lorenz has exhibited her work in numerous group exhibitions and sculpture sites throughout the US and her sculptures are in private, public and corporate collections in numerous states including Alabama, California, Florida, New Jersey and Texas. She has been the Vice President of Exhibitions for the Sculptors Guild since 2011.
Jay Hoagland charming ‘Mephisto’s Waltz’ features a viola made out of steel and copper with a kinetic element. When the integral weathervane at the head of the instrument catches the wind, the bow travels across the strings playing an eerie melody. Hoagland explains the motivation behind his sculpture thus, “I work because the sheer joy of seeing thought turned into material is rejuvenating but my approach is more and more obviously the result of where and who I’ve been.”
He continues, “I’m inspired by natural science with an injection of humor and contradiction. Inspiration also comes from the minutae of life, the shape of a stone, the footprints of giants like da Vinci, Calder, Giacometti, Gabo, Hepworth, Moore, and Noguchi. Hoagland concludes, “I see my work as a catalyst to understand, and a lens to clarify, my place in the world.”
The jurors for the exhibition were acclaimed sculptors Gilbert V. Boro and Lisa Simonds, and painter Julia Pavone.
Boro has enjoyed an extraordinary and distinguished more than 50-year-career as a successful architect, sought-after international design consultant and an inspiring educator. With a BFA from Duke University and post-graduate degrees from Columbia University, NYC, his work explores the interplay of space, place and scale in a wide range of media including steel, stone, wood, metal, aluminum and fiberglass.
Working in sculpture has been a compulsion rather than a possibility for Gil. While mastering the rigors of technical competence, he developed a deep-seated passion for three-dimensional art, which continues to be the influential force behind his creations. He is both inspired and motivated by the creative freedom of sculpting, finding that abstract work is the means to fulfill his vision. Boro’s sculptures can be found in art centers and public art venues across the US and throughout Europe; they have also been purchased by private collectors, corporations and foundations in both the US and internationally.
Simonds is a visual artist with a BFA in Sculpture from Lyme Academy College of Fine Arts in Old Lyme, Conn. She is currently employed as the Exhibitions Coordinator at Lyme Academy and previously worked as an Independent Exhibitions Installer at Lyman Allyn Art Museum in New London, Conn., for eight years.
Pavone is the co-founder of the Alexey von Schlippe Gallery of Art at the University of Connecticut’s Avery Point Campus, and has served as its Curator/Director for the past 24 years. During her 29-year career, Pavone, who has a BFA from Long Island University in Westbury, N.Y., and an MEd from Lesley College in Cambridge, Mass., has continued her own work as a painter, while variously serving as a teacher, and guest lecturer, juror and curator for numerous exhibitions.
This Summer Sculpture Showcase offers a unique opportunity for established sculptors to exhibit their work in a different location, while also effectively creating a new exhibition within the Sculpture Gardens. Boro comments, “I’m delighted to be able to open my grounds to these exceptional sculptors whose work intrigues me. Each one offers original creative thinking resulting in a combination of contrasting conceptual designs in a variety of media. I think any visitor to the exhibition is going to be thoroughly engaged by what he or she sees – including children.”
Boro is somewhat unusual as a professional sculptor in that he loves to see folk of all ages directly interacting with his sculptures, noting that he has a strong aversion to exhibitions, “… where people can’t touch my work.” Apart from attracting visitors to see the works on his grounds, Boro is thoroughly invested in the vibrant Old Lyme arts scene and hopes this exhibition will help cement the town as a summer destination for art-loving visitors from near and far, especially during the town’s Midsummer Festival which this year is on Friday, July 29, and Saturday, July 30.
Studio 80 + Sculpture Grounds are located at 80-1 Lyme St., less than a minute from Exit 70 on I-95, the Sculpture Grounds are open 365 days a year from 9 a.m. to 5 p.m. daily. Admission is free. Children, field trips and group visits are all welcome.
For further information, contact 860-434-5957, visit www.sculpturegrounds.com or email [email protected]m