The Movie Man: ‘Marty Supreme’ Puts Timothée Chalamet in the Spotlight
LymeLine’s march to the Oscars continues with a look at table-tennis hustler Marty Mauser—unlikely for Best Picture, but a strong Best Actor showcase for Timothée Chalamet.
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As the Academy Awards Approach, Janet Roach Looks Back on Her Oscar Nomination
Film critic Kevin Ganey's continuing Oscars coverage shines a spotlight on a local tie to Hollywood: Old Lyme’s own 1986 Academy Award contender for Best Adapted Screenplay.
Talking Transportation: Is Connecticut’s Economy in a ‘Strait’ Jacket?
Jim Cameron says if tankers avoid the Strait of Hormuz because of soaring war-risk insurance, the ripple effects could hit fuel prices and household budgets.
The Movie Man: Unlikely to Win Best Picture, ‘F1’ Could Still Rev Up the Oscars
It’s a predictable storyline, but its charismatic characters keep viewers captivated. And fast cars don't hurt.
The Movie Man: Why ‘Sentimental Value’ Should Win Best Picture
With rich symbolism and subtle storytelling, the film mesmerizes. Brilliant performances secure it as Kevin Ganey’s favorite Best Picture contender.
Talking Transportation: Connecticut’s Winter Warriors of Road and Rail
Behind every cleared highway and on-time train stands a network of plow drivers, engineers and crews battling the elements.
The Movie Man: ‘Hamnet’ Makes Its Case for Best Picture
The emotionally rich Hamnet, led by Jessie Buckley and Paul Mescal, transforms grief into art through candlelit beauty, theatrical long-takes and Oscar-worthy performances.
Talking Transportation: Shore Line East Left Behind Again
Shore Line East is at risk of becoming a case study in how to discourage ridership. Is it any surprise that locals refer to the southeast part of our state as “Connecticut’s forgotten corner”?
The Movie Man: Best Picture Nominee ‘Bugonia’ is Bizarre, Biting, Brilliant … and a Long Shot
The collaboration between filmmaker Yorgos Lanthimos and actor Emma Stone "isn't for everyone," Ganey says.
The Movie Man: ‘One Battle After Another’ Delivers Relevance and Style
When released in October, the movie seemed like a relatively distant dystopia. But within the first month of 2026, it seemed uncomfortably relevant.
As the Academy Awards Approach, Janet Roach Looks Back on Her Oscar Nomination
Film critic Kevin Ganey's continuing Oscars coverage shines a spotlight on a local tie to Hollywood: Old Lyme’s own 1986 Academy Award contender for Best Adapted Screenplay.
Talking Transportation: Is Connecticut’s Economy in a ‘Strait’ Jacket?
Jim Cameron says if tankers avoid the Strait of Hormuz because of soaring war-risk insurance, the ripple effects could hit fuel prices and household budgets.
The Movie Man: Unlikely to Win Best Picture, ‘F1’ Could Still Rev Up the Oscars
It’s a predictable storyline, but its charismatic characters keep viewers captivated. And fast cars don't hurt.
The Movie Man: Why ‘Sentimental Value’ Should Win Best Picture
With rich symbolism and subtle storytelling, the film mesmerizes. Brilliant performances secure it as Kevin Ganey’s favorite Best Picture contender.
Talking Transportation: Connecticut’s Winter Warriors of Road and Rail
Behind every cleared highway and on-time train stands a network of plow drivers, engineers and crews battling the elements.
The Movie Man: ‘Hamnet’ Makes Its Case for Best Picture
The emotionally rich Hamnet, led by Jessie Buckley and Paul Mescal, transforms grief into art through candlelit beauty, theatrical long-takes and Oscar-worthy performances.
Talking Transportation: Shore Line East Left Behind Again
Shore Line East is at risk of becoming a case study in how to discourage ridership. Is it any surprise that locals refer to the southeast part of our state as “Connecticut’s forgotten corner”?
The Movie Man: Best Picture Nominee ‘Bugonia’ is Bizarre, Biting, Brilliant … and a Long Shot
The collaboration between filmmaker Yorgos Lanthimos and actor Emma Stone "isn't for everyone," Ganey says.
The Movie Man: ‘One Battle After Another’ Delivers Relevance and Style
When released in October, the movie seemed like a relatively distant dystopia. But within the first month of 2026, it seemed uncomfortably relevant.